corecouture

Essential sewing keeping me clothed and sane


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O1 Jacket

As promised, here’s the low-down on a few of my pieces for O1 specifically, the reversible jacket made as part of my O autumn/winter collection and the doubled layered top. My first outfit has the really imaginative title of O1 and this jacket will also form part of the equally imaginatively titled O2 ensemble.

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The fabric is a double sided wool knit – navy and grey – comes from Fabworks.

The pattern is Vogue 9162: Kathryn Brenne design which includes shirt, trousers and the jacket. I made all the pieces last year so I already knew what was involved in the construction of the jacket – the original is fully lined with hand top stitching and acres of interfacing – there were many modifications made for this version, mostly eliminations!

Interestingly, when I look back on the photos from May 2016 I see a change in myself; I don’t know if you do too- but only 18 months ago and I appear completely different. Maybe it’s a state of mind. One of the added benefits of blogging is not just a diary of sewing but the alterations in one’s self:

I started this log of sewing adscn0495nd other things back in November 2011 – almost six years ago – and while the photographs document the onslaught of age I also see a change in personal style and knowingly personal attitude.  I’ve lost weight, started exercising regularly and generally am feeling much better about my life and really comfortable in my own skin – clothes are just the accessories.  I also found a hair stylist who understands and knows me and what’s more important, knows what suits me – invaluable!

Look at that hair! I thought is was great at the time! I still have the boots, scarf and the jacket  and still wear them.

Let’s bring you back to the present……

Double faced (two sided) fabric is made with two separate fabrics that are bonded together. It tends to be heavy-middle weight, obviously, but is perfect for reversible garments or those whose inside will be on display, like the revers of a jacket or a turned back cuff. On the whole, this type of fabric does not fray so leaving edges unfinished and naked can only add to the overall style.

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There are various ways to sew seams on double faced fabric, depending on what you want the final the garment to look like:

  1. Sew as usual; no special treatment or considerations. This produces a ‘raw’ edge on one side that displays both sides of the fabric and can be attractive. It is best to trim the raw edges evenly.

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2. Flat felled seams, as in a shirt, which results in a tidy, neat finish but tends to be bulky and lumpy, depending on the weight of your fabric. Sew the seam as usual, trim away one side, fold over the untrimmed edge over the other side to hide the raw edge, sew in place.

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3. A half flat felled seam. Sew as usual and trim one side of the seam allowance; fold over the larger seam and stitch close to the edge. Less bulky than 2. On one side some colour of the reverse will be visible.

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4. Overlap seam. Match the seam allowances on both pieces and overlap, ie. lay one on top of the other. Sew both seam allowances close to the edge like an edge stitch. Much flatter than 2 and 3; the reverse side tends to show on both both sides, however minutely and might well add to your final design.

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5. Separate the two layers by pulling apart. It helps to hand tack or machine with a very large stitch to mark the seam allowance as this stops you separating the two fabrics too far. Sew one layer as usual, right side to right side. On the reverse, trim the excess from seam allowance, on the matching seam allowance fold over and under the trimmed side – totally encompassing the raw edges of the original seam. Hand stitch the reverse fabric in place using a fell stitch or slip stitch – whatever is best for your look, fabric and finished garment. This produces a neat, relatively flat seam that is equally tidy from both sides. The downside is that this method is time consuming and laborious.Slide5You then have the option of machine top stitching the finished seam or leaving as is, albeit with an extremely good press.

For instructions on sewing with double faced fabrics, download this and keep it for future reference. It’s really useful.

I opted for No. 5 seams to sew O1 jacket but didn’t do the machine top stitching, just left the hand stitching to pucker and display for all to see.

There are pockets on both sides of the jacket – rather, there are pockets on one side with an opening on the other: navy side has a welt opening, the grey side has patch pockets that cover the welt’s insides and are the actual pockets. The stitching that sewed the patch pockets on the grey side defines the pocket on the navy side.

The collar is a 2X2 rib, knitted on large needles in mottled grey wool. The fabric was separated around the neck edge, raw edges folded under and the knit collar sandwiched between the two. Machine stitched in place. I took this idea unabashedly from Shams – thank you.  

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Along all the edges – fronts, hem and cuffs – I separated the two layers, folded under the raw edges and slip stitched together for a neater, tidier finish, although this is unnecessary because the fabric doesn’t fray. I just liked the more ‘complete’ look.

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What I didn’t do: a lot!

No lining. No interfacing. No front facings – these were cut but trimmed narrower for the jacket’s fold over. No hand top stitching. In fact, all I cut out was a back, two fronts and sleeves. I lengthened the body by a few inches. The sleeves are just folded back to whatever length I fancy on any given day which means the reverse side, whatever which one, is always on show.

There’s no closure on the original jacket and no closure on this one either. I’ll have to get one of those impressive and elaborate safety pins to hold the front closed.

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My jacket is too big. My original is too big too and I should have remembered this or at the very least, read my own blog! The sleeves are mega long and I always fold them up.  Anyway, I’ll still be wearing both (not together mind you)  while going for that oversized look.

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May 2016

Which now makes me wonder if I have always had a secret hankering for an Oska look without actually admitting it. When I surveyed my pattern stash I found quite a few that fitted with the aesthetic and I have a few completed items that will already work with my intended O collection.

I still love a pencil skirt and a fitted dress that defines the waist and skims curvy hips but loose, relaxed clothes certainly have a strong pull, especially for the everyday. Maybe there’s a way to combine the two…..

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Double Layered Top

The double layered, front-split top was self-drafted. Made from cotton jersey, elbow length kimono sleeves, scarf-type collar (cut from whatever was leftover) and is as versatile as it is practicable.

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Underneath layer tucked in with outer layer loose. The fronts have centre front seams that allow for the split to made easily.  It’s just a scooped neck T-shirt with an off-centre round edge collar.

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All loose; It can be worn on its own but I usually have a long sleeved T underneath – I like the contrast colours worn together.

The layers are both right side out and the hems in the sleeves are sewn on the inside which does require a wee bit of fabric manipulation and 3D mental rotation but there are no raw edges on show.  All finishing was done on the serger/overlocker.

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And then the realisation hit that while I had plenty of fabric for trousers I had very little for coordinating tops etc. Christine sent me to EmmaOneSock…..a mega amount of dollars lighter I’m hoping to complete some of these outfits in time for winter. Of course, I completely adore and appreciate everyone’s advice, suggestions and information -and I know Chris was trying to help and be a good sewing friend however, I do have a mortgage to pay and while I still own a dining table, I need to put food upon it!!! Mind you, hopefully, I’ll look damn good serving.

And we if can’t afford heating, I have a cosy jacket (or two) to wear!

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A/W ’17 O1

This year it has taken three weeks of timetabled classes for me to become accustomed to constantly check my (apparently old-fashioned) wrist watch [does anyone else still wear one of these?] in order to ensure I am where I should be at a pre-designated time and additionally be well prepared for the scheduled lesson. This is the first week since the beginning of term that I haven’t been zombified by Friday. So, here I am out the other side and the best thing is that there has been time for sewing!!

Slide1You and I and been very patiently waiting for my homemade version of Oska. I am slightly wary of using the tradename just in case I get sued or something, so from now on my autumn/winter 2017 collection will be known as O.

 

I was hoping to visit a real live Oska shop in London when I was there for a short weekend a few weeks ago. However, my lunchtime flight was cancelled (not Ryan Air!) and I didn’t arrive until 11.30 at night. I believe most shops are closed at this time and the next day was spent in a hotel conference room with no windows before heading directly back to Heathrow. No shopping done at all, not even browsing. Going to an Oska shop is still on my To Do List.

I was very pleased to read your comments on my O plans and how many of you admire this style. Thank you. On with the show….

O1 constitutes one pair of trousers, two tops, a scarf and a jacket: worn today with a pair of Clark’s dark grey short biker boots.

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This is layered look – so let’s dissect.

Trousers: Marcy Tilton Vogue 9035 made in some Tencel type fabric in dark grey picked for for a fiver on the bargain table at the Spinning Wheel in Belfast. Pants (loose-fitting through) hips have waistband, yokes, side-front/side-back seams, no side seams, pleated lower edge, stitched hems, and fly zipper closing. All have topstitching.

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V9035Love ’em! Fitted at the waist and through the hips but flare out along the legs with pleats at the ankle to bring them back into narrowness. Two major issues though – no pockets (which is verging on catastrophic) and the interfaced back yoke which doesn’t have a facing – like honestly – we’d wear trousers with the interfacing showing! We may be home sewers but we do have standards. If you are making these, cut two back yokes and sandwich the interfacing in between; then treat as one piece.

The tops and scarf are made in cotton jersey that is somewhere between a T-shirt and sweatshirt weight in sky blue – no idea where I bought this from but I wish I could remember because I’d love some more in white, navy, olive, black and any other colour that’s available.

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Top layer top is a self made-up pattern: double layered with a front slit; elbow length kimono-like sleeves and scarf-like collar. The front slit allows for the bottom layer to be tucked in while the top layer hangs loose.

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Underneath is a long, long sleeved Grainline Hemlock T-shirt. Get your free pattern here.

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The scarf is just a long strip of leftover cotton jersey, dipped dyed at the ends and middle for a slight ombre look and ties the blues to the greys.

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To top it all off, the jacket is Kathryn Brenne Vogue 9162 with mods. Made from double faced wool jersey, in navy and grey. To be honest, the jacket deserves a write up on its own, so for now we’ll just look at it and I’ll provide in depth details another time.

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The best thing about the jacket is this….

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It turns inside out.

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Only three weeks until half-term… just where does the time go?


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A/W 2017

All the leftovers from spring/summer are used up so it was time to buy some real fabric for the Autumn/Winter 2017 wardrobe. But what to buy? What should I make?

Enter Oska – my inspiration for this year. They are a German clothing company with real shops and online and I have fallen head over heels in love with their designs and styling. This is who I want to be this year…….

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Oska design on the basis of silhouette types:

A-silhouette – feminine, figure-flattering, subtly elegant
Box-silhouette – casual, comfortable and urban
H-Silhouette – reduced, purist and variable
O-silhouette – expressive, authentic and individual
V-silhouette – casual, relaxed and variable

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Clear simple shapes and choice materials stand for an unostentatious but unique look. It is a style, which does not disguise but brings out the personality and is at the same time casual and elegant.

I delved into the pattern stash and lo and behold, I already own a number of patterns that are suitable and others that will work, with a little tweaking.

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I ordered a lot of fabric from Fabworks (they really are delightful people to deal with)

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Mostly wools, tweeds, a bit of cotton jersey and some cotton shirting. And I think I’ll have to be buying more…..

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The style aesthetic can be summed up as:  loose, layered, cropped wide trousers, unstructured coats and jackets, simple white shirts and plain tops, coordinated.

We can call it art-teacher chic or restricted Lagenlook; but I want to make this style my own. Have I found it? My Style I mean. The elusive holy grail of the middle aged woman and the sewer…..

Time to get started and find out.


35 Comments

Before it’s Too Late

As part of Catch-up Blogging, I have to show these trousers now before they fall out of season. They’re made with a navy wool tweed (admittedly a light tweed) but are really for winter wear. I’ve had the fabric for quite a while now and was intending to sew a smart pencil skirt at some time in the distant past, but there you go – no skirt but trousers. Do you often do that? Buy fabric with one plan in mind, only to change later.

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The pattern is Vogue 1508: Zandra Rhodes design. Simple straight legs, elasticated waist but with some added “Corecouture” bits and piecimgres-1es. The envelope photo shows the trousers as narrow legged but in reality mine are neither wide nor narrow – sort of in between.

I’ve made them before in a heavy tweed and was very pleased with fit and style.

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The Alterations

Firstly, mine are cropped. I do like a cropped trouser and with only 1m of fabric there had to beimgres-2 some concessions made somewhere. I know that some of you are not fans of cropped trousers and I am conscious that sometimes they look like they were made with too little fabric so I made a little feature out of the shortness. The hems are curved at the outside seams. I took the idea from vintage Vogue 1522 , Perry Ellis design – so a little 1980s vintage touch and emphasises that the cropped length was intentional.

Curved seams are never easy to sew. I used some bias tape to help keep the roundness and pressed like a mad woman. Sew the bias tape to the hem, clip if necessary: fold to the inside right along the edge, pin and press; topstitch in place and press again. It also helps to do this before you sew the trouser legs together at the inside seams so that you are working flat. Just leave a wee bit of bias tape hanging at each side to be slipped stitched over the hem of the inside seam.

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Trousers without pockets are pretty useless. Mostly I use my pockets for posing and not really for holding things but to me, they are essential part of a garment. I made single welt, slightly angled front pockets. See here for how to…..

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I didn’t line these ones but wear my trouser-petticoat underneath. These are brilliant; can be worn under any trousers that don’t have lining, including RTW, and fulfil the functions of all the benefits of lining – reducing creasing, preventing sagging at bum and knees, helps the hang of the fabric and an extra layer for warmth on colder days.

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All you have to do is use some good quality lining (mine are cotton/silk blend), use any old trouser pattern – no pockets, waistband or anything and if they are a bit loose that’s OK. Sew some elastic to the waist, overlock or hem the ends and you have a very useful trouser-petticoat.

But of course, as versatile as a pair of navy trousers are, it’s always best to sew a coordinating top – remember – outfits, not orphans – ONO!

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Nothing new here I’m afraid. Back to Vogue 1247 (OOP) and possibly the best pattern ever drafted with a bit of remnant viscose jersey picked up for a fiver at the Spinning imgresWheel in Belfast.

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It drapes beautifully and with those colours of blues, red-orange and white can be worn with a wealth of others. Not many alterations done here apart from lengthing the sleeves by simply cutting long and leaving off the cuff. The interesting piecing at the front is lost in the fabric pattern but it really does help with shape and drape.

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I might have added an inch or two to the length but it’s been so long ago that I can’t remember rightly. I was probably just using as much fabric as I could. By the way, I didn’t French the seams, the at-the-moment very well behaved overlocker did that bit for me. I’ve probably just put a curse on it now………

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Now I am well aware that my photography is pretty crap and I am not photogenic but could I just point out – primarily to those sewing bloggers who have a trillion ads on their pages – just because you’ve taken the photographs doesn’t mean you have to use them all. Front, back and sides are usually enough. It’s like writing an essay that just repeats itself, there’s nothing new added. Just saying………

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Hello to all new followers, you are very welcome and I’m quite surprised that as I haven’t posted in a month or so that you still think it’s worthwhile to add this blog to your feed. I am truly appreciative. Please share your ideas and thoughts in the comments, even if they’re not related to my current sewing projects.

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Until the next Catch-up Blog……….

 


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Sucker for Sales 2

And here we are again…… fabric sales purchases and what to do with them. This time it’s a fluffy, soft knit made with a remarkable combination of fibres such as cashmere, mohair, a bit of silk and a few sparkly threads and from – yeah, you know where – Joel and Son…..a cut length of 1.5m.

The fabric is sort of like a boiled wool; it’s a knit, like a proper knit with no fraying but softer with a right and wrong side. It’s primarily grey (my favourite) but has tones of violet/lilac – more of a heathered look that is not readily recognisable in my crappy photographs. The inside is sparkly and I suppose could have been used the other way round for evening wear. I choose day wear. Believe me, this is a complicated fabric.

I pressurised myself into making something that warranted the price: not sure I achieved that goal but I did get a very serviceable skirt and top: that can be worn together and also separately which stretches the serviceability.

Skirt pattern is Vogue, Katherine Tilton 8837 (OOP). This skirt has four seams with a hip yoke, elasticated waist(!) and curved hemline with small splits. The instructions are for lapped over side seams but I ignored that bit.

Easy to sew up and easy to wear. I serged the seams for extra strength as it’s a pull on skirt and it looks nice in the inside too.

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The top pattern is based on Burda 0521012 /101, cut short due to fabric limitations and whatever serviceable piece was leftover was used as a pocket.

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I had a bad experience with this dress pattern previously but I’m learning to love it and see the potential in many other ways apart from a sack-like shift dress.

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I just used the selvedge edge of the fabric as the top’s hem. The deep V neckline was stabilised with some black satin ribbon to keep it from stretching any further. It is not a top to wear on its own….

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This little outfit has a relaxed, yet ‘pulled together’ look, I think. The skirt is very comfortable and worn with the top, it creates an outfit. Best worn with a white shirt underneath for contrast and to break up the solid grey. Perfect for wearing under a coat as it keeps me warm without creating bulk.

It may not be the most flattering combination for my body, but sometimes (often) practicality and comfort are the priorities.

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So, elasticated waists in trousers was first and now in skirts! The real benefit of elasticated waists is that you can wear either the trousers or the skirt high up at actual waist level or pulled slightly down to hips, which changes the length.

The other day, one of my students asked if she could ‘touch’ my skirt – such is the tactile, fluffy and comforting appeal of this fabric – just like being wrapped in soft, delicious natural fibres. I let her……..

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Well, the winter holidays are finished – back to work tomorrow and half-way through the academic year. Marking papers will intensify from now on and hence, sewing time is reduced. Blogging will also therefore be restricted but I’ll do my best, after all, sewing keeps me grounded, sane and clothed!

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I often think that I could survive wonderfully on permanent holiday – like retired – but I am actually looking forward to going back to work. I love my job, I’m lucky. I like the routine, the pressures and even the stress – it pushes and challenges me. Sewing is my escape. Without the constraints of employment I don’t think sewing would mean as much to me as it currently does. We are constantly learning about ourselves – see Felicia’s honest assessment of herself, her 2016 review of sewing and her developing style to get you thinking……..