Every summer when the exam marking is finished and payment is received, I treat myself. This year I bought Alabama Studio Sewing and Design book and I may just have found my spiritual sewing home, albeit 2 to 3 years after everyone else. Between the book, blogs and Flickr – I have been scouring every source for images, techniques and ideas of this gloriously homemade rustic look. I appreciate that Alabama Chanin may not be everyone’s idea of chic but personally I think it is fabulous: the clean simple lines of the clothes are highlighted with the the sewing techniques and applique methods, the beaded embellishments are staggeringly beautiful and this is coming from someone who does not like bling! I could wax lyrical for hours about Alabama Chanin……it’s obsessive.
I’ve always enjoyed hand sewing as part of a project – pad stitching a tailored jacket collar or adding trim to a Chanel style jacket, fell stitching lining to a coat- but to construct an entire garment without the machine, that’s new and slightly daunting.
White on White
I had some ivory jersey 100% cotton and some pure white jersey cotton with lycra lying in the box and used these as a test of AC: to see if I could do it; to see if I liked it; to see how long it would take; to see if it fell apart after one wear.
The book comes with traceable patterns for a long dress and skirt that is simply cropped off at various lengths to make a fitted top, a tunic, a short dress and skirt, a mid dress and skirt – ingenious. There’s also patterns for a T-shirt, a bolero and dimensions for hat, poncho, shawl and gloves – entire wardrobe, head to toe.
I choose the fitted top as my test. I do not have stencils, fabric dye, buttonhole threads and all the other accoutrements that are required to produce a genuine Alabama Chanin creation, so I just went with what I had to hand.
Having traced the pattern and cut out two layers of the ivory and the white, I took a felt tip pen and drew some random circles on the top (ivory) pieces.
I found some thick but cheap beige polyester thread in the notions drawer and started sewing.
I attempted various embroidery stitches, applique methods, adding sequins and glittery things – in fact, my fitted top is really a sampler of various AC techniques.
All the tops, skirts and dresses have four panels – two for the front and two for the back: no darts or closures, just shaping from the pattern and a good fit.
And I love it! I love wearing it and I loved making it.
I love the fit and the surprising robustness; I love the white on white. It’s the perfect sewing project because it’s portable, just thread up a few needles and sit in the garden or on the beach slowly sewing in the sun or lounging on the sofa with one eye on a movie. My embroidery is atrocious and my running stitch leaves a lot to be desired – but practice makes perfect, right?
So I moved on to the bolero.
And take a look at the Flickr site, there is such a wealth of talent out there that I feel positively intimidated (in a good way).
A Craftsy class (recently added to my wish list)
And not a sewing machine in sight. I’m hooked. I may not sew any other way ever again…………….
Nothing would have given me greater pleasure than to photograph this fitted top and bolero in the dappled sunshine under our tree, so let me leave you with the view from my sewing room window this morning – while many of you are moaning and wilting in the heat, spare a thought for those of us who live in Ireland.