corecouture

Essential sewing keeping me clothed and sane


36 Comments

Sea of Silk

DSCN7240Look – photographic evidence that sometimes, just sometimes, the sun does shine in all its glory here.

More blue and I really mean true, royal, luscious, rich, deep, drown-in, indulgent blue crepe de chine. Thank you very much to those of you who commented out loud (or silently) that this is a good colour for me.

A bit (mind you, quite a bit) of silk crepe de chine was left over from the Donna Karan slip and of course, just absolutely and categorically,  had to be put to use.

Apparently, the dress I’m wearing today is the most popular pattern from Vogue this summer and here’s me, who thinks I’m above following fashion trends, but still apparently fell unconsciously into the trap….mind you, every version I’ve seen of this dress looks so unique that it would be difficult to say that they’re all from the same pattern.

 

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Vogue 9253 – sort of a caftan dress but better: kimono cut on sleeves, high waist with ties, pleats rather than darts at front but darts at back, very deep V neckline, centre back zip, huge in-seam side pockets, any length you desire. My pattern description, not Vogue’s. 

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Let’s start with what I didn’t do: centre zip was eliminated – more on this later; only one pocket added; deep V neckline not so deep.

What I did do: trimmed the neck edge with some cotton jersey instead of a narrow hem; raised V neck with some hand stitches; shortened the waist ties made in same cotton jersey; pocket opening/closure instead of zip; length of finished dress was determined by amount of available fabric and not the pattern skirt length.

There was no way on earth that I was going to put a zip into this ethereal silk but the waistline is somewhat fitted and really did need to be opened for dressing and undressing situations. Problem……..

Problem solved: the two pocket pieces were sewn top to top, trimmed down and sewn in the side seams as usual but all the way up to underarm.

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The side seam and pockets were then sewn, creating a very large ‘pleat’; the pocket is the pocket and the above bit becomes a gusset.

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A very useful hook and eye were then sewn to the waist seam to close the pleat, a bit of smoothing of the pocket to the inside and now I can get in and out of my dress without a zip. And if I hadn’t shown you this, you’d never know it was there.

I started one of those Instagram thingies. I’m not very good at it and am always forgetting to take photos along the way and any I have taken I haven’t added #.  Anyway, if you’d like to follow a very erratic and learner then here’s the name – ruthforrester.corecouture

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If you’ve made this dress or are about to make it, McCalls are running a V9253 competition mccallpatterncompany Announcing the #v9253 contest! Featuring the hot dress pattern of the season. You could win $100 worth of fabric from @stylishfabric & $100 worth of new patterns! The competition is WORLDWIDE!

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I probably won’t be entering the contest as most entries are made in fabulous prints or stripes but we all want new patterns and fabric, right?

 

 

 


30 Comments

Border Debate

Blah…blah…blah ….That’s all we hear on the news these days, what with Brexit, border polls, import/export and other stuff – what will happen to the border between Northern Ireland (UK) and Southern Ireland (EU)? At the moment, there isn’t a border, we just drive along a road and all of a sudden the road signs are ringed in green and the speed limit is in KPH instead of MPH.

I’m not here to discuss political borders but border print fabric – much less contentious and infinitely more colorful.

I purchased two panels of border print polys from some or other ebay shop and they just lay about the sewing room for ages while I waited for inspiration to hit. Eventually I just took the scissors and cut….

First up is Fave top (another freebie) in a huge blue flower border print. This pattern is designed for stretch knits but even as there’s no stretch in my fabric it sews up fine because the top is so loose. If using a woven, just cut a little more generously and/or reduce the seam allowances.

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Most important measurement with a woven is the sleeve hem, so take note and make this a little wider than normal.

On my left it’s all white and on my right it’s all swirly blue flowers.

 

Next, a straight up and down halter neck holiday dress for sultry evenings on a location much closer to the equator than where I am presently; cocktail in hand, gentle waves in an azure blue ocean quietly breaking on white sandy beaches with a full moon and no mosquitoes – Yeah, like my life is like that!

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There’s no pattern with this one – here’s how you too can sew this up in about 1 hour and stun your friends and relatives with Cote d’Azur style in the Irish summer rain.

  1. Find border print fabric in a suitable weight and drape – rayon, poly, silk etc.
  2. Measure the widest part of your body (hips) and purchase enough width of fabric to go around plus about 4″ (10cm) minimum wearing ease and don’t forget about seam allowances.DSCN7114
  3. Cut fabric into two rectangles – front and back.
  4. Sew sides seams up to a comfortable underarm wearing position (mine is a tad high, so take care). Leave 6″ (15cm) open at the hem for two side splits to allow for walking.DSCN7115
  5. Shape the neck, front and back, from the underarm by cutting triangles off. The angle and size of these triangles will determine the ‘coverage’ at front and back. Cut with care first and then gradually increase the angle as you become bolder.
  6. If you feel it’s necessary, add a couple of bust darts for better fit.
  7. Turn under a narrow hem at the sides and sew. Make a channel at the top edge of the necks. But do it neater than I did!DSCN7215
  8. Purchase, source or re-purpose a necklace that is about 18″ (45cm) in length. DSCN7216
  9. Thread this through the neckline channels and secure the chain in place with a few hand tacks. Some minor adjustments may be needed to ensure even gathers at the neck edge. I have some to do yet……Make sure you leave the clasp easily accessible. This is your means of getting in and out of the dress.DSCN7218
  10. Hem, if you want or just leave the selvedge edge (as I did).
  11. Style and wear as desired.

This can truly be one of those day-to-night dresses. With a belt, the dress can be hoiked up to any length, the top draped over and may even resemble a skirt and top…….

Sewn in a finer fabric and with possibly a bit more width, it would also make a perfect pool cover-up so you can go and fetch those cocktails in style.

So there you have it – dress and jewellry all in one and in under one hour!

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Happy summer sewing people – may the sun shine on your beautiful clothes.

Are you thinking of next season’s sewing yet?

 


48 Comments

Peasant Blouse (Burda)

Good grief, that’s such a not-inspired title…. So let’s cut to the chase and get on with the sewing.

I actually, really and truly, bought a peasant blouse top from a real live shop and loved its gathers, floatiness and ease of wearing. I decided that I definitely needed another one in another colour. I searched for a similar pattern on the Big 4, Bootstrap and all the other indies without success.  I ended up flicking through my old Burda magazines and settled on  01-2012 number 426B.

downloadGood old tracing methodology employed in achieving this pattern – understanding, reading and following the maze of interconnecting coloured lines and sizes on Sheet A, B or C – anyways, I got a workable paper pattern in the end. This can be a tunic as well as a blouse: follow the directions below for the blouse.

This magazine is Burda Plus, for larger sizes. I traced size 44 when I would usually wear a 42 but didn’t worry much as it’s a loose top with not too much fitting necessary.

The original pattern is for a tunic so I just ‘lost’ the piece below the waist. There was still a bit of fiddling to do but it was the closest pattern I could find to meet my original idea.45feb6e2a271dad08607fd37690f2881--xl

Raglan sleeves, elasticated neckline with working ties; gathered and elasticated hem finish;  same for the sleeve hems.  The very fine fabric I used is slightly transparent and I would like a lining, so, a double layer at front and back saves the day!

The fabric came from Sherwoods. A beautifully soft cotton/silk crepe in a range of colours.

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I used Kiwi, second from top of the pile.

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The RTW version I have has a lining and this lining is cut slightly shorter than the outside layer. I tried to replicate this to achieve the blouson effect and to add that extra layer for opaqueness. The sleeves are single layer.

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Now, bear with me on my rather clumsy explanation of how to achieve this….I forgot to take photographs along the way – apologies. Usual construction is that you start at the top of any garment and work your way down to finish at the bottom, in this method the hem is the first thing you do.

Cut 2 fronts and 2 backs. Shorten 1 of the fronts and 1 of the backs by about 1 – 1.5″ (3cm-5cm).

Right sides together, sew around the hem – front to front, back to back.

Measure some picot or thin knicker elastic around yourself where the sewn hem will sit. Zig-zag this to the seam allowances of the hems, stretching evenly as you go. Trim off the excess seam allowance to keep things neat and reduce bulk.

Flip the fronts and backs back wrong side together and hold in place with some pins. The hem is now enclosed but remember it is ‘inside’  and not at the edge. Continue to construct as normal using French seaming on the sides and raglan sleeves.

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For the neckline I cut a bias strip and added this as a casing, hand slip stitching it over the raw edges. Elastic was then inserted with the good old safety pin method, pull it a little tight depending on how low or high you’d like to wear the blouse and secure the ends of the elastic with some machine stitching.

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Make a cross grain strip which will become the ties at the front, so determine what length you want these – short or long. Mine are medium. Cut the strip in two and sew to the ends of the neckline. Turn under any raw edges or insert the ends of the ties into the ends of the casing.

Finally, add a bit of flair by threading some beads to the ties. Use knots to hold the beads in place and knot the ties at the ends, as these will fray over time.

This inside hem creates a lovely gathered look without the elastic showing on the outside – almost looking like it’s ‘tucked in’ .

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The sleeve hems are simply turned under and more picot zig-zagged in place.

Must use more Burda patterns……

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Bonus

I had a little green silk/cotton left over fabric and it just happened to match a striped jersey in stash. I saw a girl on the bus the other day and she was wearing an indigo T-shirt with a wrap over front and ruffle trim. I somewhat copied it.

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Take a bog standard T-shirt pattern and cut an extra front. Cut the extra front in a shape that pleases you. Sew the extra front into the right hand side seam and finish the edges with a narrow hem. I sewed a few pearl buttons along the ‘wrap’.

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To make the ruffle, cut strips about 2.5″, fold lengthwise, press and gather with a large machine stitch along the fold line. Stitch to the edges of your T-shirt, press down and let fray at will.

Hello to Lyn, Kim,  segerskog@webspeed.dkLinda BaldwinMary Ann HugueleMary Ann Huguele, and anyone else who thought this sewing diary might be worthwhile spending your precious time reading. Thank you and please join in with critical comments and personal opinions – there are no boundaries here and I hope you find something useful. Rxx


36 Comments

Sewing the 70s Today

Thank you very very much for all the lovely comments on my Sewing the 70s dress. It was wonderful to hear that so many of you had made this dress first time around and even more wonderful that you are still sewing 40 years later. I hope that seeing the pattern brought back happy memories for you and isn’t it surprising that we can remember each and every pattern we ever sewed? I think this shows the level of emotional involvement we put put into our makes.

Welcome to all new readers and followers too. Lovely to have you join us and thank you.

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Today is the showcase of the third and final dress made from my Craftsy rayon haul. I dscn6881loved the Simplicity 5728 so much that I made another, this time in a rust coloured rayon with stylised cream sprigs and twigs. Instead of just showing a few photos of me in a dress, I’ve detailed the method I used to create the single welt pockets in the skirt. NB: this is what I do and is not necessarily the right or best method available.

I’ll intersperse the instructions with a few pics of the dress too.

This version of the dress has a decorative button at the neck, a fitted belt with a heart-shaped fastener and I moved the centre back zip to the side so that I can get dressed all by myself.

I read and noted every comment made on version No 1. Wendy gave a little tip on adding height to those gathered sleeves – thank you, I got the height I wanted.

Mrs Mole mentioned platform shoes, so here’s me in my new Trippens – a modern nod to platform shoes. Thanks, I’d forgotten about that particular style of footwear.

The pattern has instructions for adding lace around the collar and some of you mentioned contrast collars and trims to showcase the Italian collar. I didn’t add trim in this version but I wish I had – maybe next time??

dscn6870A few asked about the stays in version 1.  These are strips of fabric stitched between pockets at centre and from pockets into side seams. Just keeps everything smooth and flat. The top of the pockets are stitched into the waistband.

Thanks again for each and every comment. I truly appreciate your time and effort and only sorry that I didn’t reply to each one but life’s been a bit hectic recently and meant that I had a lot of time spent away from keyboard……..and sewing machine.
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Pockets

These pockets can be inserted into any skirt or trousers.

You will need:

Fusible interfacing – 2″ strips at least 6″ long, 4 in total

Ruler, pencil, pins

Fabric for pockets or 3-4″ wide strips of self fabric if you don’t have enough left for pockets or your fabric is bulky.

  1. Decide on the location of the pockets – close to the centre seam will produce small, shallow pockets or closer to the side seams for a ‘whole-hand’ pocket.
  2. Pocket opening will always be 51/2″ . This is a golden rule.
  3. Pockets can be vertical or horizontal, or as in this case, slanted. Slanted is an old couture trick to visually create a narrow waist and flattering the figure. They are also easier to actually use. Generally, with a slanted pocket there is a 2″ offset from top to bottom but this is personal choice.
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Side zip that doesn’t require endless turning and twisting to get it up or down

  1. If there are two front pieces in a skirt then sew the centre seam. If not, mark the centre line and use this as a guide. For trousers, keep both fronts separate but constantly check that the pockets, left and right, are at the same height and width from the seams.
  2. Drape the skirt front upon your body or mannequin and mark your chosen pocket placement with some chalk or pins. Practice pretending to use the pockets to confirm the location. When happy,  tidy up with a ruler for precision on a table top.
  3. On two of the fusible interfacing strips, draw out the pocket opening: the centre and 1/4″ either side of this. Remember, always 5 1/2″ long. Iron to the inside.dscn6871

5. On the inside of the skirt, machine stitch along the outside pencil lines (not the centre). Start in the middle of a long edge with 1mm stitch length, change to normal stitch length and at corners and ends revert back to 1mm: go all the way around and finish off with more 1mm stitches. This does 4 things; holds the interfacing in place, prevents fraying, strengthens the pocket opening and clearly marks the pocket on the right side.

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6. Prepare the welts. Take some leftover fabric, about 4″  x 6″. Fold on the long edge and use some more fusible interfacing for extra strength. Press well. Mark 1/2″ from the fold and you can even stitch this in place. The pocket opening is 1/2″, 2 x 1/4″ = 1/2″. See I can do maths!

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7. Pin the 1/2″ line marked welt to the lower stitching line on the outside, making sure they line up. Have the folded edge away from the pocket opening, so raw edge is towards the side seams.

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8. Stitch the welt in place from the wrong side over the same row of stitching.  Stitching should start at the top of the rectangle and finish at the end.

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I now have to move to another project to show you the final stages as I forgot to take photos on the dress. Same process though.

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9. Time to cut!!!. Slit through the skirt only along the pocket centre line. Stop a good 1″ or so from each end and clip to the corners, creating triangles. Push the welt and raw edges through to the inside. Manhandle this and don’t let the fabric take charge of you. Press very well.

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10. On the inside, flatten out the little triangle tabs at each end and stitch them to the ends of the welt. Go over this line two or three times, just to make sure.

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11. Nearly there. Now just to add the actual pockets to the inside using the raw edges. Bottom pocket piece should be the shell fabric. I didn’t have enough left, so I patched some remaining scraps to lining. It just means that if your pockets gape a little bit then they match the outside.

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12. Stitch remaining pocket to the other side and join the two pockets together.

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Press well again. Job done. If you like you can always add a few hand stitches at the corners to doubly make sure that nothing will unravel.

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You should end up with a couple of pockets that are practically weightless and invisible but so useful, even if it’s just for posing! This method has worked well in this flimsy rayon and is just as effective in the heavier wool tweed shown above. Change the weight of your interfacing to suit your fabric though.

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You know, I love dresses and it’s obvious, from the number of comments posted on my dresses rather than separates, that you do too but I actually rarely wear them. It’s a shocking admission, considering I make so many and fantasise about making many more. Must try harder – must wear more dresses.

I’ve kinda/sorta been a wee bit promoted at work. It’s a posting that takes me away from my students for one whole day a week –  a desk job!  I’ve decided that henceforth and until this contract finishes, Wednesdays shall be Dress Day. Now there’s a weekly blog post idea – want to join in? Even if you don’t work outside the home, you can still wear a dress for one day of the week, or maybe you already do and it’s just me who doesn’t.

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I liked the photos of my reflection in the wardrobe doors – that’s why there’s two of me. There isn’t really, thank goodness.

 


46 Comments

You Want Two Sleeves?

Most of us have two arms and therefore our shirts generally require two sleeves. When Vogue 9162 asks for 2.4m and you only buy 2m and then use some of it for pocket linings or a waistband facing or some such then you’re left with 1.7m or thereabouts, fitting the pattern onto the fabric can be a bit of an issue. Added to which this Kathryn Brenne pattern is for an oversized shirt – and I mean oversized! The model in the Vogue picture has clothes pegs used for fitting the shirt and jacket at the back! Def sure of that as I used to work in advertising. Anyway, back to real life…….with a pattern that is too big for your fabric.

So you start to edit the pattern to get the pieces to fit onto the meagre amount of fabric – maybe lose the front pocket, perhaps shorten it a bit, maybe narrow the width, instead of concealed button closing just make it normal – and so on until it doesn’t resemble the original pattern at all. Ultimately, I managed to fit the fronts and back on without any editing, the pocket hardly took any fabric at all and the concealed button closing was part of the front anyway. The real problem lay with the sleeves. It never fails to amaze me how much fabric sleeves need – quick guess at 1m?

So, here’s what I did to get two sleeves for both my arms – and you can do it too even if you need to or not…..

Fit the top of the sleeve pattern onto the remaining fabric and cut to suit the available length. We now have the shoulder seam and armscye and when sewing sleeves they are the Very Important Things and demand capitalisation.

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I folded the pattern up for the first cut, then unfolded and repositioned on the crossgrain  scraps for the lower (and generally less important) half. Remember to allow for 1-1.5cm seam allowance. There are no cuffs in this pattern so one less thing to worry about. Join these two pieces together and lo and behold – a whole sleeve! With added design features!

To keep the inside sleeve neat and tidy I actually sewed these two halves wrong sides together! Then I cut a bias strip from more scraps, which is always impressive in a striped fabric, pressed the raw edges under and edge-stitched this onto the right side to hide the wrong side seam. Still with me?

And now it looks like a deliberate and well thought out design element that hides all raw edges.

Recently I’ve been following some French sewing blogs – I say following but I really just look at the pictures as French is not my first language – and they have this wonderful thing called De-Stocking! Nothing to do with bedroom antics but in English (specifically North American) it means de-stashing and the pledge is to sew at least one thing a month from your stock / stash / hoard / treasure / investment or whatever euphemism you choose to describe the metres and metres of fabric you own. I haven’t pledged anything primarily because I don’t know what my school-girl French might be translated into by Google but this grey and white striped poly-cotton was delivered over a year ago and I’m only getting round to sewing it now. So I count this as a positive de-stocking!

I’ve already made the Vogue 9162 trousers and this is the matching shirt.

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Told you it was oversized although I might have made a bigger size than I needed. Anyway, I added a few ‘patches’ around the shirt either to compliment or disguise the hacked together sleeves and balance out the rather large breast pocket. My sleeves in the end product are longer than necessary and are usually worn pushed up or folded back.

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My label was sewn in and I only do that on things I really like or that I am inordinately proud of.

The neck buttoning is stylish with a loop and not a bog-standard hole. I have worn this shirt open-necked and it is just as wearable.

Personal style opinion: such a large shirt looks better with narrow trousers or skinny jeans.

And as the camera was running out of battery, and we all know that feeling, I snapped a few out of focus pics that at least illustrate the overall look.

The remaining garment to be sewn from this single pattern is the jacket and yes, I do have a de-stocking fabric that is most suitable – a raspberry boiled wool – yum. I know it’s officially spring and the sun may break through the clouds on occasion but our temperatures are low and I might just get a few wearable weeks during May.

Talking of which – Me-Made-May launches this weekend. It is an online celebration of hand-made and home-sewn clothes. Personally, about 90% of my wardrobe is now home-made so I don’t have a choice for May or any other month for that matter but you can pledge and promise to wear your unique and beautifully crafted wardrobe every day of May, or every other day, or once a week – whatever suits you. Isn’t that the whole point of making our own clothes – suit yourself!