corecouture

Essential sewing keeping me clothed and sane


8 Comments

Simple, not Stupid: Linton Blue 1

Thank you so very much encouraging me to sew with your lovely comments on the kilt. DSCN7902 2I think you all secretly, or not so secretly, long for one and truly I would encourage you to make one for yourself: that swish at the back is hard to beat and actually changes how I walk. I do believe I have re-discovered the hip sway.

Slide1Moving on with sewing with Linton Tweed, I’m coming towards the end of my purchases and am now in the blue colour range. Pink here and here and green here and here.

This Internet sewing community we all share has provided so many opportunities and contacts for me and this coat is not an exception. I met Wendy a few years ago while she was visiting her sister who lives in Donegal. Now, Wendy lives in Colorado, so this was something special: she found me via this blog and we arranged a day out.Wendy I admired her clothes and especially her coat; she admired my clothes back. We had so much in common, it was like meeting ourselves: we ordered the same thing for lunch, same wine, and after eating we both pulled out the same lipstick! Uncanny.

We were supposed to meet again this year but sadly things just didn’t work out, however, Wendy very kindly gifted me the pattern for her coat, which by the way, she designed herself and has produced as a paper pattern [see below]. Wendy has been working in wardrobe consulting, custom design and teaching as well as producing ready-to-wear collections for years now, as well as sewing exquisite made to measure items for her clients.

The pattern is called ‘Simple Coat’ and technically, I suppose it is but do not be deceived – you can make this as easy or as complicated as you like – it’s that versatile – and gorgeous, I may add. Unlined, lined, any fabric you have, any closure you want, full length sleeves, 3/4 length sleeves, patch pockets, welt pockets, collar up or down – add, subtract, change at will to adapt to suit your sewing skills, allocated time, seasonal requirements, fabric restraints and personal taste. Who doesn’t love a pattern like that? Yeah, I went for the complicated in winter……

This coat has no seams! Well, a couple at the shoulders but that’s it. It has a vintage inspired shape, reminiscent of the 1920s and the 1960s. The first thing DH said when he saw me wearing this was ” That’s lovely.” I can assure you that he was not around in 1920 but he was in 1960 and he hardly ever comments on my attire.

Enough of the build up….. I give you The Simple Coat. The uneven hem edges are due to me sticking my hands into the patch pockets….the hem edges line up perfectly when I’m not wearing the coat :/

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Mine is a lined version with added ‘special’ lined pockets [see below], co-ordinating facings, turned back sleeve cuffs and edge to edge closures. So let’s get to the details.

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I used the blue/grey herringbone tweed for the coat to co-ordinate with the blue check fabric. The blue check has a stripe of burnt orange running through it and that’s what I focused on. I just thought that too much blue/grey would be dull. The lining I chose is a paisley orange/red/yellow blend which I am in all honesty in two minds about but it’s in now and will stay there. I added width to the facings with the blue check and faced the hem too. The sleeves I’ll cover next…

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As you, hopefully can see, I have the sleeves turned back. I cut the full length sleeves but changed the lining thereof.

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I replaced 8″ (20cms) of lining with the co-ordinating blue check wool. The cuff edge of this ‘lining’ was then sewn to the sleeve edge.

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Turn the whole thing right side out and you have a proper sleeve, already lined, with the option of contrasting turned back cuffs, should you desire. And my reason for doing this is the trousers (and skirt, yet to be sewn): so now I have An Outfit.

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On to the pockets then…. I opted for patch ones. Can you see them?

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I have two full-hand pockets on either side with a little more secure inset pocket just on the left. This was a practice version of a lined patch pocket which I put to good use…

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Next decision was how to close, or not, the coat. I opted for edge to edge closures with tabs and statement buttons. This sorta makes my coat a wee bit more like a 1960’s duffle coat rather than a high end couture version – but heck, it’s lovely and I’ll wear it for years with all the planned co-ordinating items as well as jeans, black and anything and everything else I can pair with it.

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If you would like your own pattern for this very versatile, any season and easy to sew coat, you can email Wendy for your own wendykarnish@comcast.net pattern. I strongly recommend it, even if you only keep it in your pattern stash for that single moment when you think – I need an easy coat pattern.… We’ve all been there…..

DSCN7960Trousers and skirt to follow….

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Thank you so much Wendy – a true classic pattern that will be in constant rotation season by season, year by year and never out of date.

Until next time……….are you sewing for Christmas or for yourself?

When I go Internet shopping I tend to put one thing in the basket for them and one for me…….


66 Comments

Second Home (Mexico)

Get a cup of tea…..

There are many things I’ve never done in my life so far – I  have never travelled beyond the equator; been to the continents of Africa, Australia, Eurasia; nor even across the Atlantic Ocean. This summer I managed to accomplish one of those nevers: at the ripe old age of middle I managed to cross the Atlantic and for the very first time in my life set foot on USA soil, albeit for a few hours stop over in Atlanta airport on my way to Leon, Mexico.

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Leaving Mexico

I haven’t been beyond UK borders for years. For 10 years or so as a family we took many holidays all over mainland Europe but generally speaking that’s just like being at home except for a different language and warmer weather; travelling to Mexico is culturally unique. I feel a trifle guilty showing you my suitcase because I did not sew everything I packed.

There are occasions in our lives when you have to make decisions and sometimes buying holiday-one-off clothes makes a lot more sense. My suitcase compromised a mix of RTW and sewn. I cannot foresee some of my Mexican wardrobe ever being worn in the very near future – I mean temperatures of 26 degrees and above are relatively unknown in my part of the world – and so I truly wasn’t prepared to spend money, time and effort on sewing things when I could buy them in the summer sales. This one of the reasons that I never signed up for 100% 12 months of sewing my own wardrobe. You never know what life will throw at you, offer you or knock you sideways.

In May this year I was diagnosed with yet another malignant melanoma – good grief, it’s my third! If not identified and cut out, this is a 80% death sentence. Wear the sunscreen people!! A temporary, damaging sun tan is not worth it. Take it from a bottle if it’s that important to you. My gratitude to our British National Health Service cannot be expressed enough. Obviously……

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Proudly displaying my newest “I’m still alive” scar

So when I received an invitation from ReAnn to visit Mexico my first thoughts concerned my life, health, skin, potential sunburn and subsequently the consequences. I have typical Irish, Northern European skin – pale, freckly and my delicious blood is a gourmet meal for every flying insect

 

Decisions to travel were – Yes, then No it’s too risky – life’s short and all that sun is dangerous:  then YES! Life is really and truly too short so take all and every opportunity whenever they present themselves.

Thankfully when the husband was asked if he wanted to come too he gave the right answer – No!

So off I went solo.

 

Packing philosophy

Choose a base/primary colour and add co-ordinating colours to ring the changes.

Slide1My base colour was royal blue, it is surprising how many colours coordinate with this principal colour and the co-ordinating ones were neutrals of white and natural linen. I had a little bit of space left in the case so in went one black and a couple of patterned items.  Mostly my clothes were solid colours but I did add these few patterns for variation.

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I bought two items while I was there – an expensive designer linen step-in skirt (a perfect opportunity for another blog post) and some khaki shorts from the tenguies (market) simply because I didn’t own a pair of shorts.

DSCN7751Merchant and Mills Bantam vest in lime green rib

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I packed two pair of shoes – flip flops for pool and early mornings, one pair of blue flat sandals and I wore the leather lace-up shoes for travelling because I don’t like moving through heavily populated areas such as airports and underground stations with my toes exposed in case of back-stomping and trampling.

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You will excuse me, I’m sure, that I do not model the entire suitcase. Everything that I packed was worn and most pieces at least twice, although I had the advantage of having a washing machine. Some items of clothing are very old and have been blogged before and it was ultimately very beneficial and gratifying that I had already spent the time making them, just waiting for their day in the sun. The olds include:

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Donna Karan wrap dress

See the lotion on my pale Irish legs? (Emm delicious). This photo was taken last year after the Donegal midges attacked. The DK dress was worn at dinner one night and turned out to be a ‘signature’ look – see below….. I had a posh meal out at the Insitutio while a world renowned classical guitarist played and who happened to know I was from Ireland and played a little ditty with Latin influences. God bless him.

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Self drafted T-shirt dress with beading

This self-drafted, beaded neckline dress was  worn for dancing the night away to what else but ‘the blues’. I went dancing with Jan to a Blues night uniquely sung in Spanish with the most adorable lead guitarist. I even got asked to dance.

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Sateen patterned cotton trousers, so old now that I cannot rightly remember when these were made. The new additions were a hybrid Alabama Chanin/ CfPD Bias top in white cotton jersey.

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Location is someone’s exquisite bathroom….

DSCN7752The white cotton CfPD Spiral Top with a little waist tie detail and needs an ironing…..

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My version of Monsoon blue and white striped cotton trousers.

 

 

 

 

 

 

A homemade copy of Oska summer linen dress, made in a fine checked natural linen and the base pattern was StyleArc’s Toni.

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Another modification of the Toni was the black muslin over-dress.

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I bought a few plain white T-shirts, a swimsuit, a cover-up. I didn’t pack enough loose tops even though I’d made them, such was the temperature. Lesson learned.

At least now I have stuff that will travel the world with me wherever I go in the future- I have a wardrobe for all seasons and all temperatures.

 

 

 

 

IMG_0694So anyway, poor ReAnn felt a little under the weather one day and I set off to visit Canada de la Virgen (ancient pyramids) all on my own.

On the bus to the archaeological site this couple asked me if I had had dinner at a place the night before and that they remembered me because of my lovely blue dress (the DK). They then ‘looked after’ me for the rest of the day.

See – sewing has many unknown and undocumented advantages!

 

 

 

 

Then one other day as I was sitting by a fountain and waiting for ReAnne who was having her hair cut some American ladies walked by and commented that I should have a photograph taken. I gave them my phone and this is it. We met them again later that day.

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On another day ReAnn and I had a fabulous day tour around Guanajuato.

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I wore my black muslin over-dress with white cotton shift and white linen trousers and she wore a plain black dress too, both of us in total contrast to the colourful houses – we must have looked like two devotees of some religious sect together. Apparently Guanajuato was the backdrop for some Disney animation film recently but my days of watching such genre has become temporarily dormant.

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One evening we went to a really bad fashion show which I would not have missed for all the tea in China or all the Tequila in Mexico – it was so bad it was good!

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On Tuesday morning I shopped at the local market and had the best meal of the entire visit – a whole fried fish, crispy on the outside and creamy white on the inside. We were the only gringos at the long table. Perfect.

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I had tequila. Salt and limes included.

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I helped ReAnn fit and finish her Vogue 1442 dress.

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I advised and assisted Kathy with fitting and understanding the instructions for her very complicated Vogue 1424

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For which she very kindly gifted me the best present ever – a cactus pincushion.

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And within an hour of unpacking, my cactus had fruit, just like the real thing.

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I regularly sent home pictures of Car of The Day from San Miguel.

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There was art, churches, markets, eating, walking, talking, cooking class (thanks to ReAnn for the following photos), characters, sunshine, scenery, mountains,

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When I had 30 mosquito bites, I stopped counting!

I didn’t have altitude sickness (6000ft), I didn’t suffer jet-lag, I didn’t get sunburn, so a few irritating insect bites were a small price to pay.

Believe me, I saturated myself with insect repellent, Avon’s Skin So Soft – you name it, I lathered it on and the wee sh*tes still found the areas that I hadn’t covered – between toes, fingertips, thumb.

Other wildlife included Silence of the Lambs sized butterflies (moths) in the bedroom.

IMG_0760Amazing hummingbirds….honestly, can you ever imagine an Attenborough thingy visiting your garden???

 

 

 

 

I had an absolutely brilliant time in Mexico – a unique lifetime experience for which I wholly and truly have to thank ReAnn and will probably never have ample opportunity to repay ….and of course, sewing which was our initial reason for contact.

I have henceforth decided on a new acronym: AFS = away from sewing machine! What was the first thing I did on my return home??? You guessed it.

Suitcase still packed and I hit the sewing room………there was no time to suffer jet-lag.

Take life’s opportunities NOW.

Do not wait until next year, next week, next month, tomorrow……..and if ever anyone says to you that sewing is a solitary, isolated activity – here’s absolute proof that it is not and if anyone ever offers you anything – take it!

 


52 Comments

Zippy

Here’s how another One Thing can lead to another, which can lead to many more…..I just love the trail of thoughts and ideas and discovering where they all end up. Starting points……

Mags sent me to Croftmill for grey ponte at £7.00 p/m: Elaine sent me to Kaliyana for asymmetrical zip jacket and the Anti-Suit: one of the lovely ladies from our Sewing Away Day donated a fine grey spotted cotton jersey: Julie wore a jacket on the same day that had droopy back pockets and was so casually impressive and understated that I want one: Anne showed the most beautiful Chanel suit this week: many, many other blog active sewers have been showing and telling their cropped/wide leg/trousers/culottes. I put in the hours of planning, cutting and sewing.  Armed with a bag of assorted open ended plastic zips, some almost-matching thread, some patterns and a bit of flexible time – this is the result from my too short half-term break.

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Many patterns were gathered, edited and then finally selected to the finalists – Vogue 8641 five easy pieces, Vogue 1550 Paco Peralta, Vogue 8559 Marcy Tilton, self-drafted Three Bears T.

I’ll start with the jacket as it is a wee bit impressive, even if I have say so myself because there’s no one else writing this. We’ll call it an idea in progress.

Start with Marcy Tilton’s 8559 (OOP) cardigan-wrap top; no side seams and cut on the fold, no back seam either. A waterfall front, centre back seamed collar and shoulder seams. Clever pattern placement can easily incorporate selvedge edges too, although using the dark grey ponte fraying isn’t an issue and raw edges are abundantly on view. I added a whopping 9″ to the length, then got to work on adding zips!

Three zips on either side. Hopefully they form some sort of design feature on their own but they are also functional – an infinity jacket? I had to press gang Doris into modelling today because, quite honestly I couldn’t have been bothered. Hopefully you’ll understand why in a just a moment.

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Left open and unzipped, the zips provide a bit of weight to help the fabric drape (ha – I like to believe this is similar to Chanel’s chain on the bottom of a jacket – dream on….).

Zip 1 – short centre fronts. Zip 2 – bottom right edge matching with a right hand side princess seam location. Zip 3 – 45 degrees on right hand side and shoulder width on left.

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All the zips zip into one another; that is, zip 1 will zip into zip 2; zip 2 will zip into zip 3 and so on. This multitude of zips allows for a multitude of closure options; exaggeration of the draped front and hemline, cowl necklines, loose or square body shape.

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Zip 3 zipping into zip 3 pulls and is quite difficult to do up so I might have to rethink the position of these ones. However, I can close zip 1 with zip 2 or zip 3 for yet more variations.

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If zips do not provide enough variations for your taste, then add a sewn brooch to merely clip various points of the jacket closed to suit your mood and the weather conditions.

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But wait, that’s not all. Being very impressed with Julie’s jacket, I added a deep strip of leftover fabric to the back and sides of the jacket matching the raw edges to provide those covetous voluminous back pockets and I also managed to get two at the fronts too. They will be very handy to hold emergency rations such as Kendall Cake and Mars Bars.

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And because this ‘pocket’ band is on a different grain there is a gentle shading that I always find attractive in unique clothes. Other waste selvedge cut offs were added to the sleeves as mock cuffs, adding weight and extra finishing.

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I did experience the dreaded jersey wobble – which could be an acronym from suburban New York for cellulite but I mean the stitching of a zip to stretch fabric. Is there a remedy? I know I could have added interfacing but this is an unlined jacket and visual evidence of reinforcing would be unacceptable. All suggestions welcome for both problems……….DSCN7564

The tunic top was quickly made from the donated cotton jersey in Vogue 1550. There’s nothing fancy or notable about this, apart from the fact that IT IS Paco Peralta. I didn’t add the signature inserts but did manage to do admirable mitred corners on the side drape points.

The pale grey ponte was put into use as a pull on pair of trousers from Vogue 8641 (OOP). Again, not too much to declare about these apart from adding two, shaped patched pockets on the front and cropped, more because of fabric restrictions than trends.

Finally, I just had to make use of the leftovers and cutoffs and managed to sew a Three Bears T (see link above) that became more of a sweatshirt. It has two layers below the bust seam that allows for minor variations of styling. There’s a few raw edge seams to follow the theme, such as cuffs, hems and bust line.

I don’t like the matchy-matchy trousers and top – too much like PJs. It looks much better with a dark grey bottom and believe me, I have many dark grey trousers to wear with this.

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So, there you have it – four pieces that became an outfit and what’s better, they can all be worn with existing wardrobe items that hopefully coincide with Oska and Kaliyana aesthetics.

This has got me thinking of joining SWAP this year although I am late to the party. My primary colours being grey and adding highlights of whatever colour I like because grey is such a neutral. Is there a colour that does not wear well with grey?

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This style of dressing is definitely not form fitting, no pencil skirts or slim-line trousers here but so comfortable, transitional and, dare I say it, unique?

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I mean, how many of your jackets have back pockets?

Now, in which pocket did I put that Mars Bar?


26 Comments

Patternless Skirt

As part of our sewing day away the ladies all brought fabric, patterns and notions for the donate-swap table. As I don’t have much of a stash, I had to dive deep into the blanket box to see what lengths and leftovers were lurking there. I came up with a few serviceable pieces, one of them being this, which actually stayed home with me.

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Navy distressed wool pinstripe from The Cloth House, London; the bulk of the fabric having been used to make culottes a few years back.

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Enough to make a pencil skirt, roughly 50″ X 25″ (127 x 64cm). So the fabric was wrapped around Doris while I went off to locate a suitable pattern. However, I looked at the draping on the mannequin and thought – that looks interesting as it is – let’s make a skirt without a pattern. I mean it’s only leftover fabric anyway that had been long forgotten, nothing to lose.

Here’s how to make a skirt without a pattern. It helps if you have a mannequin but if you don’t then just use yourself and get a little help from someone with the pinning for darts.

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This will be a lined wrap skirt with an asymmetrical hemline.

 

 

 

 

 

 

 

 

 

Pin the fabric to the mannequin, overlapping the fronts at an angle. Pinch out the excess at the back to make two darts and do the same at the sides. Four small darts for shaping.

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Cut a waistband facing (I used another fabric) the same width of the ‘skirt’ and sew to the top edge. Cut the lining a little smaller than the skirt’s width and sew to the facing and the two sides, leaving the hem open.

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Turn to the right side and press well, especially down the short edges. As the lining is smaller the edges should turn under neatly.

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Fold up the raw edge of the hem lining a little higher than the skirt hem and sew.

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The lining is not edge to edge therefore and should not be seen from the outside. You may have to make a few folds/pleats in the lining to make it fit within the confines of the skirt.

Make a buttonhole on the right hand side at hip and sew a button to the left side. This will hold the skirt up.

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Recently I bought a few zips from Minerva and there was this brilliant deal for £1 – a bag full of assorted zips. Most are open ended chunky plastic type zips. I took a black one of these and sewed it to the wrap edge of the skirt.

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No attempt to hide the zip was made because it’s a design feature! This keeps the wrap wrapped.

When you look at a piece of fabric and think it’s not worth keeping – think again.

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36 Comments

Sea of Silk

DSCN7240Look – photographic evidence that sometimes, just sometimes, the sun does shine in all its glory here.

More blue and I really mean true, royal, luscious, rich, deep, drown-in, indulgent blue crepe de chine. Thank you very much to those of you who commented out loud (or silently) that this is a good colour for me.

A bit (mind you, quite a bit) of silk crepe de chine was left over from the Donna Karan slip and of course, just absolutely and categorically,  had to be put to use.

Apparently, the dress I’m wearing today is the most popular pattern from Vogue this summer and here’s me, who thinks I’m above following fashion trends, but still apparently fell unconsciously into the trap….mind you, every version I’ve seen of this dress looks so unique that it would be difficult to say that they’re all from the same pattern.

 

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Vogue 9253 – sort of a caftan dress but better: kimono cut on sleeves, high waist with ties, pleats rather than darts at front but darts at back, very deep V neckline, centre back zip, huge in-seam side pockets, any length you desire. My pattern description, not Vogue’s. 

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Let’s start with what I didn’t do: centre zip was eliminated – more on this later; only one pocket added; deep V neckline not so deep.

What I did do: trimmed the neck edge with some cotton jersey instead of a narrow hem; raised V neck with some hand stitches; shortened the waist ties made in same cotton jersey; pocket opening/closure instead of zip; length of finished dress was determined by amount of available fabric and not the pattern skirt length.

There was no way on earth that I was going to put a zip into this ethereal silk but the waistline is somewhat fitted and really did need to be opened for dressing and undressing situations. Problem……..

Problem solved: the two pocket pieces were sewn top to top, trimmed down and sewn in the side seams as usual but all the way up to underarm.

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The side seam and pockets were then sewn, creating a very large ‘pleat’; the pocket is the pocket and the above bit becomes a gusset.

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A very useful hook and eye were then sewn to the waist seam to close the pleat, a bit of smoothing of the pocket to the inside and now I can get in and out of my dress without a zip. And if I hadn’t shown you this, you’d never know it was there.

I started one of those Instagram thingies. I’m not very good at it and am always forgetting to take photos along the way and any I have taken I haven’t added #.  Anyway, if you’d like to follow a very erratic and learner then here’s the name – ruthforrester.corecouture

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If you’ve made this dress or are about to make it, McCalls are running a V9253 competition mccallpatterncompany Announcing the #v9253 contest! Featuring the hot dress pattern of the season. You could win $100 worth of fabric from @stylishfabric & $100 worth of new patterns! The competition is WORLDWIDE!

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I probably won’t be entering the contest as most entries are made in fabulous prints or stripes but we all want new patterns and fabric, right?