When Vogue lost the licence to produce DKNY patterns, my little sewing world became yet another wee bit smaller. However, I did take advantage of a $4.99 sale earlier in the year and bought them all up – I’m only sorry I didn’t buy more designs when I had the chance…..
To be honest, I only bought this dress pattern because it was the last one and I never really intended to sew it up, rather to keep it as a collector’s item. A very good friend was having a birthday night out recently and I thought I should show my admiration for her by making an effort and dressing up – I was thinking of something a little unusual, special, dressy but not dressed up, if you know what I mean?
I reached for the sacrosanct V1489 (OOP), bought 4m of lapis blue cotton jersey from Fabworks and got mentally and physically prepared for gargantuan pattern pieces the size of Montana and three thousand tailor tacks (I’ve made DKNY before!). The sewing table was cleared of all debris and extraneous items; nine hundred needles were threaded ready for those crucial tacks, one deep breath, bit of yoga and meditation and I’m ready to go.
Most pattern pieces in this pattern are cut on a single layer of fabric because it’s an asymmetrical dress and left and right are different – this makes cutting out only slightly easier. There are still three thousand tailor tacks to sew (well, in reality, about 12) but every one of them is important – so don’t scrimp. Best advice I can give is, if you have a mannequin, use it now: cut out, mark and pin on your own Doris so that you know what piece goes where and, more importantly, what side it should be on.
Cutting out and marking up all safely negotiated, the sewing is relatively simple. I do own an overlocker and it would be easy to construct the main body of the dress on such a machine, but the pattern instructions assume that the sewer does not have one and directs you to sew a double seam. I did this and still achieved a lovely, flat finished inside seam. Just remember to trim carefully after sewing the second row of stitching.
The pattern includes a slip that the shell dress should be sewn to: this helps with the drape and fit and additionally provides an extra safety layer below a rather low front and back neck neckline and a high front split.
Usually I cut a 14 in Vogue but with DKNY I’ve learned to cut a 12 due to use of stretch fabric and the pleats/drapes/gathers that add yet more ease. For the actual finished dress, my plan worked, except for the under slip! I should have cut a 14 for the slip because it is very, very fitted.
Please excuse my blotchy legs – I have deliciously sweet blood that Donegal midges just could not resist. It’s not just my legs – my arms, feet, scalp, face, neck, back and any other easily accessible skin was subjected to intensive feeding in the last two days. I’m applying anti-itching/anaesthetic lotion.
This is one really and truly fitted slip – mine’s that tight that it’s acting like a corset and I was somewhat concerned about undressing after a night out with the girls! The original photo from the catwalk shows the dress to be rather loose with no sight of the slip but I rather like my dress slightly more fitted.
I splashed a wee bit of extra cash on some silk crepe de chine for the slip (also from Fabworks). In my defence, it was a perfect colour match for the cotton jersey shell fabric and it’s luxurious against the body. It has managed to hold the dart stitches despite of my best efforts to tear them apart with indulgent dinners and perhaps one or three cocktails. However, I didn’t sew the dress to the slip as it was just too tight to comfortably pull on. So I have a separate slip with a wrap dress on top. It works for me.
Sewing notes and minor alterations:
Lengthened slip by 4″, merely for modesty’s sake and decorum.
Did not add a snap fastener to the front side closure as per instructions as I didn’t think this would hold fast against the onslaught of my current diet and stomach. I adapted this to a long loop with a toggle-style button that will provide extra ease and flexibility around the mid-front while providing a stylish, yet secure closure.
I also raised this closure to waist level. The original pattern is for the closure to be about 5″ lower – somewhere around hip height (one of those tailor tacks, if it hasn’t fallen out by this stage). The offset closure creates the asymmetrical hemline (as seen in the photos) but I was totally prepared to forego this look in place of a dress that stayed closed.
Ultimately, I totally adore this dress. The fitted slip keeps me feeling secure, while the draped, crossover neckline at front and back and the front split can drape and gape as much as they want without any personal embarrassment to me whatsoever.
Because I work hard and am (usually) really nice to other people I treated myself to a matching DKNY handbag (in the sales, of course) …..
Other completed versions of this dress that you might like to see are:
Pomona with a beautiful chartreuse version.
Mousseline in totally Greek goddess vibe and shows the original front wrap placement
I’ve just completed a marathon photoshoot today: this was Blue, next time will be Green, specifically the Burda peasant blouse showing my special adaptations and additions. Then, we’ll do the monochrome – black and white. So there are at least another three blog posts this summer.
So stay tuned by friends – much more to come…..
As always, truly grateful thanks for all encouragement, enthusiasm and engagement with my sewing and sewing exploits on this blog.