corecouture

Essential sewing keeping me clothed and sane


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Clothes for Camping

Home again, home again, clippity hop!

Thanks so much for all your comments and critiques on my most recent posts.

I’m back home after a fortnight in the depths of Mexico (more to come later) – I have a lot to show and tell but first I’ll cover the Scotland holiday camping trip wardrobe. This camping trip, tent and all, occurred the very first week of July with two girlfriends. We journeyed all the way to Durness and if you get the weather that we had, I would strongly recommend this as a destination. However, if the forecast is four days with gales and pouring rain – I would definitely not suggest you go there. I guess you take your chances with Scottish weather and we got lucky! The sky was really and truly that blue – these photos are not Photoshopped.

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Our half acre camping site: tent, camper van with awning, outdoor kitchen, fairy lights, lanterns, candles, solar lighting, sitting area, wind break and views out to sea – perfect!

Now, I know you’ll be thinking: what on earth do you sew at home for a camping trip iin the most northerly town in the United Kingdom where it never got dark at night and the weather was extraordinary?  This is our beach…..IMG_0391While packing, I was preparing to experience all seasons in one week, as is customary for UK holidays, but ultimately we had Mediterranean weather for the whole week – which was nice and my homemade wardrobe fitted in perfectly. I did purchase some cheap RTW long sleeve T-shirts to add to the rotation and provide some protection from the sun but otherwise this is the packing rundown.

Gather together the following patterns:

Pirate Skirt pencil skirt

Greenstyle Sundance Jacket 

Vogue Paco Peralta 1550 trousers

Marcy Tilton Vogue 8837 pants (OOP) but any legging/jogging bottoms are suitable.

A few tops / T-shirt patterns that in my case incorporated : Merchant and Mills Bantam vest; Centre for Pattern Design bias cut top: Drape Drape 2 asymmetrical top; basic long sleeved T-shirt from whatever pattern you favour.

Slide1Choose co-ordinating fabrics and sew at will. What you can end up with is at least a five day wardrobe……..

I looked at specialist RTW clothing  before I started sewing – outdoor activity sites, camping gear, mountain rescue clothing and the like but everything was in the colour range of black, navy or khaki. I most certainly didn’t want to wear these on holiday. There’s a gap in the market there somewhere…..

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Pencil skirt and white T: eating an ice lolly and carrying a bag of ice for cocktails back at base camp.

My primary colour was the lime green flowery scuba from Fabworks. It has pinks, greys, black and white incorporated, which then became the co-ordinating colours for the extended holiday wardrobe.

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One thing that is of ultimate importance for camping clothing is comfort and flexibility, lack of wrinkling is also a benefit so this wardrobe is wholly comprised of man-made fibres – no I tell a lie, a few items are cotton jersey: all that bending down and stretching and sitting and fixing things and walking, putting things up and taking them down and what have you requires clothes that move with the body but don’t shift. The ability to layer is also useful for evenings when it might become a little chilly.

Mostly I wore trainers during the vacation, in the following photos I wore pink flats.

The photos are taken at home after the holiday but hopefully you’ll get an idea of the interchangeability, co-ordination and range of looks, style and most importantly, wearability of this little wardrobe. And just because you’re sleeping in a tent, doesn’t mean you have to look like you are during waking hours.

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As always, with a little bit of left over fabric, I made a little sling purse and a narrow neck scarf – just in case I felt I wasn’t totally co-ordinated enough.

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Slide2The Greenstyle Sundance jacket proved to be indispensable: I made a full sleeved, hooded, pocketed outer layer in the flowery scuba and then made a sleeveless, non-hooded over/inner layer in heavy pink cotton jersey for layering purposes. This relaxed front zipper closing sports jacket incorporates a drop back hemline, optional hood, zippered side seam pockets for extra security and an additional pattern alternative for a pleated back which I didn’t use. Because I made both a sleeved and a sleeveless version, the two could be worn together, either on top on underneath.

The pattern includes a long cuff with thumb holes for those of you who run on the streets in winter and for those of us who don’t, it’s a little design feature to keep your hands warm should the need arise or else provides you with the style ability to mimic your teenage children by being slouchy with an attitude.

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If you don’t want to look like this on a fabulous, truly memorable camping/outdoor holiday….choose your clothes to reflect the experience.

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Sew your own……….

No, I will never wear the two together but it was fun to show you.

Next time, it’s Mexico……


79 Comments

Is this the end or the beginning?

An unusual ennui seems to have inflicted my favourite sewing bloggers and I too am not immune. Time between posts just stretches into longer and longer periods. I’m sewing lots, what I’m not doing is standing in the garden with carefully selected shoes and full make-up, salon hair, a smile and taking photographs.

Maybe it’s the summer season; maybe it’s holidays and days away; maybe we’re all busy with life and other stuff; maybe we’ve nothing left to say; maybe it’s the end of blogging…….bit like gym membership.

Anyone remember recording songs off the radio onto cassette tape, listening to your Walkman, watching videos, talking to people via landlines? See what I mean, everything has its day. Mind you, my 21 year old son is gradually building an impressive collection of vinyl LPs – what comes around, goes around. If we stick this blogging lark out, then maybe we’ll be back in vogue!

I have made some very good friends via blogging. I’ve met a few in real life and many more virtually. Every one is special and valued and I would not have have this connection without this blog. Hence, I’m rent in two like a beautiful piece of linen, right across the grainline. Do I continue to write this blog?

I have other on-line platforms – Instagram, Pintrest, Facebook and I don’t update those either. I’m really lazy or more to the truth, I couldn’t be bothered.

I have sewn so many garments since my last post that I probably have enough material (ha ha!) to complete a blog post every day of summer. The thing is – are you interested? Will there really be anything new? I’m beginning to think that blogging is just an internet version of “Show and Tell”: “Look how good I am”.  Please don’t misunderstand me, I find daily inspiration, advice, tips, laughs and stimulation from the blogs of other sewers and I still feel I should contribute too. And that’s the dilemma. Those of you who have not written for ages either must surely recognise this quandary.

To try and inject a new level of energy and re-kick-start regular broadcasts on Corecouture – I bring you the actual and real Wedding Guest Dress.  I made a prototype here but then had enough time to make another. Hence, I’ve dusted off the camera and tripod, taken off my jeans, found the shoes, put a bit of lipstick on and here we go…….

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There is no pattern for this dress. Well there is but you need to get hold off Bootstrap Off Shoulder dress for the top half and back and then the free download Julies Sissions Scarlett backless red dress for the front skirt. You put these two together, look at loads Vivienne Westwood frocks online and make the rest up as you sew.

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Fabric is Romance Rose from Fabric Godmother and is fabulous but sold out I’m afraid. A cotton sateen with 98% cotton and the difference made up from Lycra/elastane. Fitted but with room to move.

Those front pleats cover a multitude of sinful late night snacking and still they keep giving…..even after a wedding dinner. I wore this dress for 14 hours straight and it looked as good at the end of the day as it did at the beginning. I didn’t, however wear the VW shoes for 14 hours – I had flats at the ready.

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While it might look like those shoulders are about to fall off and cause untold embarrassment to the wearer, they will not. Take a little bit of scrap fabric or ribbon and a snap; sew along shoulder seam and put your bra strap through the loop. Perfection and totally secure. Wee haute couture tip there for you. You’re welcome.

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Then I obviously still had too much time left over for sewing because I also made a coat and bag to match.

The bag pattern was a free download years ago from Hot Patterns.

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The wedding was in May, which can be chilly at night here so this was not wasted effort. downloadThe pattern is vintage Vogue 1137 which I have made many, many times and as usual this version has a few modifications such as narrowing the swing and widening the sleeves. The coat is a light boiled wool, unlined, with patch pockets from Fabworks and if I had my wits about me I might be able to tell you exactly what it is.

 

I sewed flat felled seams and used a pleasantly matching grosgrain ribbon on the front facings and hem. The sleeve hems are faced with the dress fabric for that totally co-ordinating outfit – a very, very haute couture touch.

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Oh yeah, I also managed to sew an eternal corsage from all the left over fabrics, a few spare ribbons and a button.

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Till next time.

Whenever that may be….

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Thank you so very much for your loyalty, consistency and continual reading. My words are not enough to express this gratitude.

You want a few pictures of the wedding though now, don’t you?

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52 Comments

Zippy

Here’s how another One Thing can lead to another, which can lead to many more…..I just love the trail of thoughts and ideas and discovering where they all end up. Starting points……

Mags sent me to Croftmill for grey ponte at £7.00 p/m: Elaine sent me to Kaliyana for asymmetrical zip jacket and the Anti-Suit: one of the lovely ladies from our Sewing Away Day donated a fine grey spotted cotton jersey: Julie wore a jacket on the same day that had droopy back pockets and was so casually impressive and understated that I want one: Anne showed the most beautiful Chanel suit this week: many, many other blog active sewers have been showing and telling their cropped/wide leg/trousers/culottes. I put in the hours of planning, cutting and sewing.  Armed with a bag of assorted open ended plastic zips, some almost-matching thread, some patterns and a bit of flexible time – this is the result from my too short half-term break.

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Many patterns were gathered, edited and then finally selected to the finalists – Vogue 8641 five easy pieces, Vogue 1550 Paco Peralta, Vogue 8559 Marcy Tilton, self-drafted Three Bears T.

I’ll start with the jacket as it is a wee bit impressive, even if I have say so myself because there’s no one else writing this. We’ll call it an idea in progress.

Start with Marcy Tilton’s 8559 (OOP) cardigan-wrap top; no side seams and cut on the fold, no back seam either. A waterfall front, centre back seamed collar and shoulder seams. Clever pattern placement can easily incorporate selvedge edges too, although using the dark grey ponte fraying isn’t an issue and raw edges are abundantly on view. I added a whopping 9″ to the length, then got to work on adding zips!

Three zips on either side. Hopefully they form some sort of design feature on their own but they are also functional – an infinity jacket? I had to press gang Doris into modelling today because, quite honestly I couldn’t have been bothered. Hopefully you’ll understand why in a just a moment.

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Left open and unzipped, the zips provide a bit of weight to help the fabric drape (ha – I like to believe this is similar to Chanel’s chain on the bottom of a jacket – dream on….).

Zip 1 – short centre fronts. Zip 2 – bottom right edge matching with a right hand side princess seam location. Zip 3 – 45 degrees on right hand side and shoulder width on left.

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All the zips zip into one another; that is, zip 1 will zip into zip 2; zip 2 will zip into zip 3 and so on. This multitude of zips allows for a multitude of closure options; exaggeration of the draped front and hemline, cowl necklines, loose or square body shape.

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Zip 3 zipping into zip 3 pulls and is quite difficult to do up so I might have to rethink the position of these ones. However, I can close zip 1 with zip 2 or zip 3 for yet more variations.

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If zips do not provide enough variations for your taste, then add a sewn brooch to merely clip various points of the jacket closed to suit your mood and the weather conditions.

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But wait, that’s not all. Being very impressed with Julie’s jacket, I added a deep strip of leftover fabric to the back and sides of the jacket matching the raw edges to provide those covetous voluminous back pockets and I also managed to get two at the fronts too. They will be very handy to hold emergency rations such as Kendall Cake and Mars Bars.

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And because this ‘pocket’ band is on a different grain there is a gentle shading that I always find attractive in unique clothes. Other waste selvedge cut offs were added to the sleeves as mock cuffs, adding weight and extra finishing.

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I did experience the dreaded jersey wobble – which could be an acronym from suburban New York for cellulite but I mean the stitching of a zip to stretch fabric. Is there a remedy? I know I could have added interfacing but this is an unlined jacket and visual evidence of reinforcing would be unacceptable. All suggestions welcome for both problems……….DSCN7564

The tunic top was quickly made from the donated cotton jersey in Vogue 1550. There’s nothing fancy or notable about this, apart from the fact that IT IS Paco Peralta. I didn’t add the signature inserts but did manage to do admirable mitred corners on the side drape points.

The pale grey ponte was put into use as a pull on pair of trousers from Vogue 8641 (OOP). Again, not too much to declare about these apart from adding two, shaped patched pockets on the front and cropped, more because of fabric restrictions than trends.

Finally, I just had to make use of the leftovers and cutoffs and managed to sew a Three Bears T (see link above) that became more of a sweatshirt. It has two layers below the bust seam that allows for minor variations of styling. There’s a few raw edge seams to follow the theme, such as cuffs, hems and bust line.

I don’t like the matchy-matchy trousers and top – too much like PJs. It looks much better with a dark grey bottom and believe me, I have many dark grey trousers to wear with this.

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So, there you have it – four pieces that became an outfit and what’s better, they can all be worn with existing wardrobe items that hopefully coincide with Oska and Kaliyana aesthetics.

This has got me thinking of joining SWAP this year although I am late to the party. My primary colours being grey and adding highlights of whatever colour I like because grey is such a neutral. Is there a colour that does not wear well with grey?

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This style of dressing is definitely not form fitting, no pencil skirts or slim-line trousers here but so comfortable, transitional and, dare I say it, unique?

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I mean, how many of your jackets have back pockets?

Now, in which pocket did I put that Mars Bar?


43 Comments

Sewn, Worn, not Blogged

Instead of doing a review of my 2017 sewing; the good the bad and the ugly sort of thing, I’m showing things I made but never photographed (until now) and hence never blogged. I bet a lot of you do this too – make stuff, wear it but just never get around to taking pretty pictures and writing about them. I can’t promise pretty pictures here either……and fabric sources, exact patterns, modifications and alterations will be pretty scant as I can’t remember all the details. Additionally, please forgive me for poor styling, lack of shoes, un-ironed and creases – there were A LOT of wardrobe changes!

Self drafted Breton top and

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Pirate pencil skirt and scarf

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Vogue 9268 dress

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Vogue 1410 dress: very kindly traced and sent to me by Kim the fabulous Material Lady

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Bootstrap gathered halter top

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Vogue 1477 twisted top tunic/dress

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Vogue 1215 (Chado ralph rucci OOP) chartreuse spotty shirt without shirt tails

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Vogue 1215 grey silk shirt, shirt tails and tucks

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Vogue 1215 white cotton shirt without tucks

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StyleArc Hazel brown wool flecked jumper with modified neckline and welt pocket

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….worn with RTW brown wool trousers – altered to cropped and in-seam side pockets added.

Vogue 1550 fine wool grey trousers the final part of A/W O collection and my favourite so far.

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I’ve been reading with interest all the sewing reviews 2017 and more importantly the plans and schemes for sewing 2018.

Make Nine 2018

SWAP ’18

MAGAM

2018 RTWFAST

Stashbusting, Competitions, Only sewing indie patterns, Only sewing Burda, Only sewing Marfy, Finishing UFOs, Resolutions to not-buy-anymore-fabric, Resolutions to use the patterns I already have (HA HA HA!) and loads of other challenges – all very inspiring and motivating. I haven’t decided yet whether I’ll watch or stalk.

Finally, if you’re stuck for something to sew or need some ideas then I’d like to bring your attention to a French site – United Patterns. They bring together all the indie pattern companies in one place; Jeanne has done all the legwork, all you have to do is peruse the offerings. United Patterns does not sell the patterns but has all the links you need so that you can.

Thank you once again for your continued support and encouragement; your funny, complementary and critical comments; reading and writing and sewing.

A very Happy New Year to you all!

Health, happiness and lots of successful sewing

 

 

 

 

 

 

 

 

 

 

 


30 Comments

Dior-esque “17

Quite honestly, I have no idea where this came from…there I was (almost) happily sewing up an Oska inspired winter collection and then I veered way off track. 51CSULc-dUL._SX385_BO1,204,203,200_Oska and related designers leave out the feminine hourglass shape and go for comfort. I have totally adopted this aesthetic and find it both comforting and classy, yet, I still harken after a fitted look.

I have been reading, and I mean actually reading and not just looking at the pictures, The Golden Age of Haute Couture 1947-1957. A V&A book production that is a combination of history, academic research, fashion and insight. The principal designer covered in the book is Dior and his post-war New Look -full skirts and nipped in waists – a rebellion against austerity and rationing.

I have worn the same two dresses on the Big Day and accompanying festivities for about five years now, so it really is about time I updated. Mind you these two dresses are true classics and will survive for many more years yet.

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Linton Tweed red and ivory boiled wool. Both are sewn from McCalls 2401 – a true classic sheaf dress with loads of variations and options. I believe it’s OOP but it shouldn’t be – if you ever get a chance – buy it!

 

 

 

 

 

 

Tartan/plaid/checks are always popular around the Christmas and the New Year period.

bobby-brown-red-grey-check-plaid-tartan-cotton-fabric-cudI found some non-traditional tartan at Croftmill in greys (my fav colour) with reds and orange and navy – all my other favourite colours in one cloth! Too good to pass over. This is a shirting cotton but in my winter muddled mind I envisioned a festive dress in lightweight wool: I truly and actually know it’s cotton but I can sew it to look like wool – Can’t I?

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Patterns

Skirt is the first major absorber of fabric as I opted for a circle. Best option is always Paco Peralta’s half circle skirt. This skirt feels and moves like a full circle but is much more manageable and uses half the fabric. You get the drape and swirl without the girth. il_570xN.271636588Honestly, let’s face it, hips that are hips do not need extra attention drawn to them.

A beautiful pattern – every sewer should have this one in their arsenal too. The original pattern includes two lengths, lining and personally, perfectly hand drafted. No sewing instructions but you only have to look online for real-life sewers contribution tips and finished versions and it is actually a relatively simple but deceptively well crafted skirt that it could be figured out by beginner-intermediate sewers and additionally you get the perfect garment. I’ve made it loads of times – cotton, jersey, linen.  This time, I also managed to include an inseam pocket and cut the longer length for holiday drama.

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As swirly and drapey as this skirt is on its own, I then moved into the Twilight Zone and thought – what if I put a petticoat underneath? I am moving into an alternative universe at this point – I am a person who has always eschewed the full circle skirts of the 1950s and opted for the more slimline pencil silhouette. But Hey ho… I bought some red netting and red poly cotton and hacked together a puffy petticoat.

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Using the same Paco skirt pattern for the petticoat, I get the same drape and fullness as the skirt. Even if I say this myself, I did some nice sewing on a garment that will (should) not be seen: ribbon trims on the netting seams and French seams throughout, just in case it does actually comes on show. The waist is merely closed with a tie which should allow for easy release after a Christmas dinner.

Shouldn’t everyone have a red petticoat even if it only hangs in the wardrobe??

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Needless to say there was leftover fabric and you know I can’t leave well enough alone, so I made the bodice from vintage Vogue 1136 (OOP) . I added a few inches to the bodice length but that was the only alteration. I think we should all look a little more closely at dress bodices that can be made into tops.

A beautiful back neckline with cross-over back bands and generous sewn-on  cap sleeves.

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In order to to be able to actually get this ‘top’ on, the zip is reversed and opens from the bottom. As I was working with leftovers, matching checks was random and I don’t mind in the slightest. It may not be acceptable in the haute couture houses in Paris but for a Christmas dinner in Belfast, it’s fine!

And….then there were more leftovers but we are down to scraps at this point, so I made a eight core corset belt from Burda (so old I have no record of the issue date or number). No chance of putting on weight with this one…..

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The corset belt was stiffened with all my scraps of interfacing – iron-on, sew-on and every weight available – a bit like a patchwork of interfacing. It is firm but soft enough to sit down in without causing a loss of blood or oxygen to vital organs.

The belt is secured with true corset hooks and eyes purchased from the Aladdin’s Cave of Sew ‘n’ Sew in Belfast city centre. You want what?? Yeah we have that somewhere…..

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Instead of a Christmas dress, I have Christmas separates that look like a dress.

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Hopefully, I have paid homage to Mons. Dior with his revolutionary skirts and used Sn Peralta designs to make this idea a reality.

The skirt and top without the belt…..but with cat

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An inordinate amount of space on the sofa is taken up with skirt and petticoat however…..

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I do not have the hand-span waist (19″) that Dior designs demanded but perhaps some 21st century Spandex might help.

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My apologies to the perfectionist but I find interest in a certain amount of originality and uniqueness in mis-matched checks especially for the minor pieces in this ensemble.

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Truly, I thank you, one and all, for your support, comments, reading, encouragement, inspiration and for just being there in 2017.

I respect and admire the pattern designers and creators whose ideas we humble sewers try to turn into reality. Thank you.

I salute the coming year with positive enthusiasm and I hope you will come along with me too.

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I wish you all a peaceful, restful Christmas (Holiday) break and the healthiest of New Years.

Let the sewing begin 2018!