Take someone else’s pattern and someone else’s fabric and you can sew a suit, not just an ordinary skirt and jacket suit but a designer version and what’s better than a “designer” suit? Vogue 1467. And even better than that is they all once belonged to my friend, ReAnn.
I’m not entirely sure of the benefits of writing about OOP patterns: I suppose if you really like it you could search the Interweb for a copy. However, I have a few insights and thoughts about this suit, hardly unsurprising. I suppose this pattern would fall into the category of an evening or special occasion suit with the long skirt with thigh high split.
Nowadays we tend to think of hi-lo hems as being trendy, modern and current – yeah- think again, this one comes from Lauren Sara (1994) and has a hi-lo hem that knocks the modern renditions out of the water. The front of the jacket and blouse sit just shy of the waist while the back falls all the way to top thighs. I am reminded a little of gentlemen’s tailcoats.
Some gorgeous chocolate brown stretch gabardine and a co-ordinating silk chiffon were kindly provided by my bestest ever sewing mate ReAnn which produced a composite of skirt, jacket and blouse.
The jacket is unlined, so every seam had to be finished neatly. I completed some version or other of Hong Kong seams using satin bias binding but used some leftover silk as the hem finish. I quite like the contrast of the plain and sober outside with the bright and patterned hem. And it does bear a passing resemblance to the silk chiffon blouse.
And I did the same treatment on the skirt hem because after all, this is a suit and the bits should match each other… I made a little off-centre split and made use of the selvedge edges.
ReAnn didn’t buy enough of the gabardine for me to make the trousers nor the skirt true to the pattern, so I modified the design to what I had. The skirt became knee length instead of floor and was patched along the hemline to make it mid length eventually. The most obvious ‘design’ feature of this designer pattern is that the stupid sewer used the wrong side of the gabardine for the main body of the skirt and then reversed the fabric to use the right side for the hemline patch!
To summarise, the jacket and skirt hem are from one side of the fabric and the skirt is the other. Damn fabrics that look the same on both sides until you sew them together….
However, there’s no crying in sewing (Coco) so I have a day suit not an evening one and my lifestyle definitely favours the day. If anyone wants to invite me to a black tie event then I shall make an evening version.
The jacket has wide flared sleeves which feel decadent and luxurious. I am having a bit of trouble inserting decent sleeves at the moment in my sewing repertoire. Either too confident or lost the knack, I don’t know but I’ll have to go back to basics for the next time. The gabardine had a bit of stretch so in this case, I’m blaming the materials and not the skills LOL.
The skirt is high waisted but not so high as to be a corset, the blouse should cut just along the top. I’d like to wear the blouse with other things so I lengthened it quite considerably at the front and when worn untucked, I like the break it provides in the head to knee solid brown.
Can’t waste silk chiffon. A scarf was made from the left overs.
I found the blouse to be very loose (big) and because it’s chiffon, I will always have to wear a cami underneath. But you can see clearly the dramatic hemline. The blouse should mirror the jacket, sleeves and hem. The blouse neckline is a simple scoop while the jacket has a smart mandarin collar.
You can clearly see the change in tone of the skirt’s fabric in the following photos. Remember that ‘design feature’?
A new term has started with all the fresh faced students all eager and keen. My job is trying to keep that enthusiasm going until next June. I’m taking advantage of some lovely sunshine to take these pics, although the temperature does not match it. This suit is finished just in time for autumnal weather and intimidation in the classroom.
Thank you one and all who provided ideas on what to sew with the Linton tweeds in my previous post. You’ve given me a lot to think about and research – you’re the best!
In fact, you gave me so much to think about that I just had to go back to Linton and buy another colour way, just in case I had too many ideas and not enough fabric. That makes a pink, a green and now a blue, all with coordinating herringbones.
……So lots to plan and think about and cut and sew and hopefully, eventually, wear.