As promised, here’s the low-down on a few of my pieces for O1 specifically, the reversible jacket made as part of my O autumn/winter collection and the doubled layered top. My first outfit has the really imaginative title of O1 and this jacket will also form part of the equally imaginatively titled O2 ensemble.
The fabric is a double sided wool knit – navy and grey – comes from Fabworks.
The pattern is Vogue 9162: Kathryn Brenne design which includes shirt, trousers and the jacket. I made all the pieces last year so I already knew what was involved in the construction of the jacket – the original is fully lined with hand top stitching and acres of interfacing – there were many modifications made for this version, mostly eliminations!
Interestingly, when I look back on the photos from May 2016 I see a change in myself; I don’t know if you do too- but only 18 months ago and I appear completely different. Maybe it’s a state of mind. One of the added benefits of blogging is not just a diary of sewing but the alterations in one’s self:
I started this log of sewing a
nd other things back in November 2011 – almost six years ago – and while the photographs document the onslaught of age I also see a change in personal style and knowingly personal attitude. I’ve lost weight, started exercising regularly and generally am feeling much better about my life and really comfortable in my own skin – clothes are just the accessories. I also found a hair stylist who understands and knows me and what’s more important, knows what suits me – invaluable!
Look at that hair! I thought is was great at the time! I still have the boots, scarf and the jacket and still wear them.
Let’s bring you back to the present……
Double faced (two sided) fabric is made with two separate fabrics that are bonded together. It tends to be heavy-middle weight, obviously, but is perfect for reversible garments or those whose inside will be on display, like the revers of a jacket or a turned back cuff. On the whole, this type of fabric does not fray so leaving edges unfinished and naked can only add to the overall style.
There are various ways to sew seams on double faced fabric, depending on what you want the final the garment to look like:
- Sew as usual; no special treatment or considerations. This produces a ‘raw’ edge on one side that displays both sides of the fabric and can be attractive. It is best to trim the raw edges evenly.
2. Flat felled seams, as in a shirt, which results in a tidy, neat finish but tends to be bulky and lumpy, depending on the weight of your fabric. Sew the seam as usual, trim away one side, fold over the untrimmed edge over the other side to hide the raw edge, sew in place.
3. A half flat felled seam. Sew as usual and trim one side of the seam allowance; fold over the larger seam and stitch close to the edge. Less bulky than 2. On one side some colour of the reverse will be visible.
4. Overlap seam. Match the seam allowances on both pieces and overlap, ie. lay one on top of the other. Sew both seam allowances close to the edge like an edge stitch. Much flatter than 2 and 3; the reverse side tends to show on both both sides, however minutely and might well add to your final design.
5. Separate the two layers by pulling apart. It helps to hand tack or machine with a very large stitch to mark the seam allowance as this stops you separating the two fabrics too far. Sew one layer as usual, right side to right side. On the reverse, trim the excess from seam allowance, on the matching seam allowance fold over and under the trimmed side – totally encompassing the raw edges of the original seam. Hand stitch the reverse fabric in place using a fell stitch or slip stitch – whatever is best for your look, fabric and finished garment. This produces a neat, relatively flat seam that is equally tidy from both sides. The downside is that this method is time consuming and laborious.
You then have the option of machine top stitching the finished seam or leaving as is, albeit with an extremely good press.
For instructions on sewing with double faced fabrics, download this and keep it for future reference. It’s really useful.
I opted for No. 5 seams to sew O1 jacket but didn’t do the machine top stitching, just left the hand stitching to pucker and display for all to see.
There are pockets on both sides of the jacket – rather, there are pockets on one side with an opening on the other: navy side has a welt opening, the grey side has patch pockets that cover the welt’s insides and are the actual pockets. The stitching that sewed the patch pockets on the grey side defines the pocket on the navy side.
The collar is a 2X2 rib, knitted on large needles in mottled grey wool. The fabric was separated around the neck edge, raw edges folded under and the knit collar sandwiched between the two. Machine stitched in place. I took this idea unabashedly from Shams – thank you.
Along all the edges – fronts, hem and cuffs – I separated the two layers, folded under the raw edges and slip stitched together for a neater, tidier finish, although this is unnecessary because the fabric doesn’t fray. I just liked the more ‘complete’ look.
What I didn’t do: a lot!
No lining. No interfacing. No front facings – these were cut but trimmed narrower for the jacket’s fold over. No hand top stitching. In fact, all I cut out was a back, two fronts and sleeves. I lengthened the body by a few inches. The sleeves are just folded back to whatever length I fancy on any given day which means the reverse side, whatever which one, is always on show.
There’s no closure on the original jacket and no closure on this one either. I’ll have to get one of those impressive and elaborate safety pins to hold the front closed.
My jacket is too big. My original is too big too and I should have remembered this or at the very least, read my own blog! The sleeves are mega long and I always fold them up. Anyway, I’ll still be wearing both (not together mind you) while going for that oversized look.
May 2016
Which now makes me wonder if I have always had a secret hankering for an Oska look without actually admitting it. When I surveyed my pattern stash I found quite a few that fitted with the aesthetic and I have a few completed items that will already work with my intended O collection.
I still love a pencil skirt and a fitted dress that defines the waist and skims curvy hips but loose, relaxed clothes certainly have a strong pull, especially for the everyday. Maybe there’s a way to combine the two…..
Double Layered Top
The double layered, front-split top was self-drafted. Made from cotton jersey, elbow length kimono sleeves, scarf-type collar (cut from whatever was leftover) and is as versatile as it is practicable.
Underneath layer tucked in with outer layer loose. The fronts have centre front seams that allow for the split to made easily. It’s just a scooped neck T-shirt with an off-centre round edge collar.
All loose; It can be worn on its own but I usually have a long sleeved T underneath – I like the contrast colours worn together.
The layers are both right side out and the hems in the sleeves are sewn on the inside which does require a wee bit of fabric manipulation and 3D mental rotation but there are no raw edges on show. All finishing was done on the serger/overlocker.
And then the realisation hit that while I had plenty of fabric for trousers I had very little for coordinating tops etc. Christine sent me to EmmaOneSock…..a mega amount of dollars lighter I’m hoping to complete some of these outfits in time for winter. Of course, I completely adore and appreciate everyone’s advice, suggestions and information -and I know Chris was trying to help and be a good sewing friend however, I do have a mortgage to pay and while I still own a dining table, I need to put food upon it!!! Mind you, hopefully, I’ll look damn good serving.
And we if can’t afford heating, I have a cosy jacket (or two) to wear!
corecouture 