Here’s how another One Thing can lead to another, which can lead to many more…..I just love the trail of thoughts and ideas and discovering where they all end up. Starting points……
Mags sent me to Croftmill for grey ponte at £7.00 p/m: Elaine sent me to Kaliyana for asymmetrical zip jacket and the Anti-Suit: one of the lovely ladies from our Sewing Away Day donated a fine grey spotted cotton jersey: Julie wore a jacket on the same day that had droopy back pockets and was so casually impressive and understated that I want one: Anne showed the most beautiful Chanel suit this week: many, many other blog active sewers have been showing and telling their cropped/wide leg/trousers/culottes. I put in the hours of planning, cutting and sewing. Armed with a bag of assorted open ended plastic zips, some almost-matching thread, some patterns and a bit of flexible time – this is the result from my too short half-term break.
Many patterns were gathered, edited and then finally selected to the finalists – Vogue 8641 five easy pieces, Vogue 1550 Paco Peralta, Vogue 8559 Marcy Tilton, self-drafted Three Bears T.
I’ll start with the jacket as it is a wee bit impressive, even if I have say so myself because there’s no one else writing this. We’ll call it an idea in progress.
Start with Marcy Tilton’s 8559 (OOP) cardigan-wrap top; no side seams and cut on the fold, no back seam either. A waterfall front, centre back seamed collar and shoulder seams. Clever pattern placement can easily incorporate selvedge edges too, although using the dark grey ponte fraying isn’t an issue and raw edges are abundantly on view. I added a whopping 9″ to the length, then got to work on adding zips!
Three zips on either side. Hopefully they form some sort of design feature on their own but they are also functional – an infinity jacket? I had to press gang Doris into modelling today because, quite honestly I couldn’t have been bothered. Hopefully you’ll understand why in a just a moment.
Left open and unzipped, the zips provide a bit of weight to help the fabric drape (ha – I like to believe this is similar to Chanel’s chain on the bottom of a jacket – dream on….).
Zip 1 – short centre fronts. Zip 2 – bottom right edge matching with a right hand side princess seam location. Zip 3 – 45 degrees on right hand side and shoulder width on left.
All the zips zip into one another; that is, zip 1 will zip into zip 2; zip 2 will zip into zip 3 and so on. This multitude of zips allows for a multitude of closure options; exaggeration of the draped front and hemline, cowl necklines, loose or square body shape.
Zip 3 zipping into zip 3 pulls and is quite difficult to do up so I might have to rethink the position of these ones. However, I can close zip 1 with zip 2 or zip 3 for yet more variations.
If zips do not provide enough variations for your taste, then add a sewn brooch to merely clip various points of the jacket closed to suit your mood and the weather conditions.
But wait, that’s not all. Being very impressed with Julie’s jacket, I added a deep strip of leftover fabric to the back and sides of the jacket matching the raw edges to provide those covetous voluminous back pockets and I also managed to get two at the fronts too. They will be very handy to hold emergency rations such as Kendall Cake and Mars Bars.
And because this ‘pocket’ band is on a different grain there is a gentle shading that I always find attractive in unique clothes. Other waste selvedge cut offs were added to the sleeves as mock cuffs, adding weight and extra finishing.
I did experience the dreaded jersey wobble – which could be an acronym from suburban New York for cellulite but I mean the stitching of a zip to stretch fabric. Is there a remedy? I know I could have added interfacing but this is an unlined jacket and visual evidence of reinforcing would be unacceptable. All suggestions welcome for both problems……….
The tunic top was quickly made from the donated cotton jersey in Vogue 1550. There’s nothing fancy or notable about this, apart from the fact that IT IS Paco Peralta. I didn’t add the signature inserts but did manage to do admirable mitred corners on the side drape points.
The pale grey ponte was put into use as a pull on pair of trousers from Vogue 8641 (OOP). Again, not too much to declare about these apart from adding two, shaped patched pockets on the front and cropped, more because of fabric restrictions than trends.
Finally, I just had to make use of the leftovers and cutoffs and managed to sew a Three Bears T (see link above) that became more of a sweatshirt. It has two layers below the bust seam that allows for minor variations of styling. There’s a few raw edge seams to follow the theme, such as cuffs, hems and bust line.
I don’t like the matchy-matchy trousers and top – too much like PJs. It looks much better with a dark grey bottom and believe me, I have many dark grey trousers to wear with this.
So, there you have it – four pieces that became an outfit and what’s better, they can all be worn with existing wardrobe items that hopefully coincide with Oska and Kaliyana aesthetics.
This has got me thinking of joining SWAP this year although I am late to the party. My primary colours being grey and adding highlights of whatever colour I like because grey is such a neutral. Is there a colour that does not wear well with grey?
This style of dressing is definitely not form fitting, no pencil skirts or slim-line trousers here but so comfortable, transitional and, dare I say it, unique?
I mean, how many of your jackets have back pockets?
Now, in which pocket did I put that Mars Bar?