This year it has taken three weeks of timetabled classes for me to become accustomed to constantly check my (apparently old-fashioned) wrist watch [does anyone else still wear one of these?] in order to ensure I am where I should be at a pre-designated time and additionally be well prepared for the scheduled lesson. This is the first week since the beginning of term that I haven’t been zombified by Friday. So, here I am out the other side and the best thing is that there has been time for sewing!!
You and I and been very patiently waiting for my homemade version of Oska. I am slightly wary of using the tradename just in case I get sued or something, so from now on my autumn/winter 2017 collection will be known as O.
I was hoping to visit a real live Oska shop in London when I was there for a short weekend a few weeks ago. However, my lunchtime flight was cancelled (not Ryan Air!) and I didn’t arrive until 11.30 at night. I believe most shops are closed at this time and the next day was spent in a hotel conference room with no windows before heading directly back to Heathrow. No shopping done at all, not even browsing. Going to an Oska shop is still on my To Do List.
I was very pleased to read your comments on my O plans and how many of you admire this style. Thank you. On with the show….
O1 constitutes one pair of trousers, two tops, a scarf and a jacket: worn today with a pair of Clark’s dark grey short biker boots.
This is layered look – so let’s dissect.
Trousers: Marcy Tilton Vogue 9035 made in some Tencel type fabric in dark grey picked for for a fiver on the bargain table at the Spinning Wheel in Belfast. Pants (loose-fitting through) hips have waistband, yokes, side-front/side-back seams, no side seams, pleated lower edge, stitched hems, and fly zipper closing. All have topstitching.
Love ’em! Fitted at the waist and through the hips but flare out along the legs with pleats at the ankle to bring them back into narrowness. Two major issues though – no pockets (which is verging on catastrophic) and the interfaced back yoke which doesn’t have a facing – like honestly – we’d wear trousers with the interfacing showing! We may be home sewers but we do have standards. If you are making these, cut two back yokes and sandwich the interfacing in between; then treat as one piece.
The tops and scarf are made in cotton jersey that is somewhere between a T-shirt and sweatshirt weight in sky blue – no idea where I bought this from but I wish I could remember because I’d love some more in white, navy, olive, black and any other colour that’s available.
Top layer top is a self made-up pattern: double layered with a front slit; elbow length kimono-like sleeves and scarf-like collar. The front slit allows for the bottom layer to be tucked in while the top layer hangs loose.
Underneath is a long, long sleeved Grainline Hemlock T-shirt. Get your free pattern here.
The scarf is just a long strip of leftover cotton jersey, dipped dyed at the ends and middle for a slight ombre look and ties the blues to the greys.
To top it all off, the jacket is Kathryn Brenne Vogue 9162 with mods. Made from double faced wool jersey, in navy and grey. To be honest, the jacket deserves a write up on its own, so for now we’ll just look at it and I’ll provide in depth details another time.
The best thing about the jacket is this….
It turns inside out.
Only three weeks until half-term… just where does the time go?